The joy of an infant, or joy-generation, without significance to an unprofound and common mind--how strange to see the excess of pathos in that; yet men of any (or at least of much) sensibility see in this a transpicuous masque for another form, viz., the eternal ground of sorrow in all human hearts. This, by the way, in an essay on William Wordsworth, should be noticed as the charm of his poetry; and the note differential, in fact. At least, I know not of any former poet who has so systematically sought his sadness in the very luxury of joy. Thus, in the 'Two April Mornings,' 'what a mortal freshness of dewy radiance! what an attraction of early summer! what a vision of roses in June! Yet it is all transmuted to a purpose of sadness.' Ah, reader, scorn not that which--whether you refuse it or not as the reality of realities--is assuredly the reality of dreams, linking us to a far vaster cycle, in which the love and the languishing, the ruin and the horror, of this world are but moments--but elements in an eternal circle. The cycle stretches from an East that is forgotten to a West that is but conjectured. The mere fact of your own individual calamity is a life; the tragedy is a nature; the hope is but as a dim augury written on a flower.[5] If the things that have fretted us had not some art for retiring into secret oblivion, what a hell would life become! Now, understand how in some nervous derangements this horror really takes place. Some things that had sunk into utter forgetfulness, others that had faded into visionary power, all rise as gray phantoms from the dust; the field of our earthly combats that should by rights have settled into peace, is all alive with hosts of resurrections--cavalries that sweep in gusty charges--columns that thunder from afar--arms gleaming through clouds of sulphur.