Detective and mystery stories; Villages -- England -- Fiction
“I seem to have brought discord into a friendly gathering,” came the
mournful comment. “Such was far from being my intent. Landlord, the
round is on me, with cigars. Now, let us talk of anything but this
horror. If I forget myself again, pull me up short, and fine me another
round.”
Siddle half rose, but thought better of it. Evidently, he meant to use
his influence to stop foolish chatter.
Chapter V.
The Seeds of Mischief
Ingerman was a shrewder judge of human nature than the village chemist.
As well try to stem the flowing tide as stop tongues from wagging when
such a theme offered.
Tomlin created a momentary diversion by clattering in the bar. After
this professional interlude, Ingerman ignored his own compact.
“I’m sure you local residents will be interested, at least, in hearing
something of my wife’s career,” he said. “There never was a more
lovable and gracious woman, and no couple could be more united than she
and I till some three years ago. Then came a break. She was independent
of me, of course. She was a celebrity, I a mere nobody, best known, if
at all, as ‘Miss Melhuish’s husband.’ Nevertheless, we were devoted to
each other until, to her and my lasting misfortune, a certain author
wrote a book which, when dramatized, contained a part for which my
wife’s stage presence and talents seemed to be peculiarly suited.”
Siddle stirred uneasily, but the others were still as partridges in
stubble. Ingerman did not intend to alarm the shy bird of the covey,
however.
“I name no names,” he said solemnly. “Nor am I telling you anything
that will not be thoroughly exposed before the coroner and elsewhere.
From that unhappy period dated our estrangement. My wife fell under a
fatal influence which lasted, practically unchecked, until the day, if
not the very hour, of her death. Do I blame her? No—a thousand times
no! You see me, a plain man, considerably her senior. _I_ had not the
gift of writing impassioned love passages in which she could display
her artistic genius. When I came home from the City, tired after the
day’s work, _she_ was just beginning hers. You know what London
fashionable life is—the theater, a supper, a dance, some great lady’s
‘reception,’ and the rest of it. Ah, me! The stage, and literature, and
the arts generally are not for poor fellows moiling in a City office.
You gentlemen, I take it, are all happily married—”
“I’m not,” said Elkin, “but I’ll lay you long odds I will be soon.”
For some reason, this remark produced a certain uneasiness among his
friends. Tomlin stared at the ash of one of the cigars “stood” by this
talkative Londoner; Hobbs, whose glass had reached a low level again,
examined the dregs almost fiercely; and Siddle seemed to be about to
say something, but, with his usual restraint, kept silent. Then
Ingerman made a very shrewd guess, and wondered who Doris Martin was,
and what Hobbs’s cryptic allusion had meant.
Public-domain text, read in full here on John Shaqi.
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