Detective and mystery stories; Villages -- England -- Fiction
“The large window of Mr. Grant’s study was open, and we both heard a
clock in the hall chime the half-hour. I said, ‘Goodness me, is that
half past ten?’ and started for home at once. Mr. Grant came with me as
far as the bridge. When I reached my room, in exactly five minutes
after leaving _The Hollies_, I stood at the open window—that
window”—and she pointed to a dormer casement above the
sitting-room—“and looked out. It was a particularly fine night, mild,
but not very clear, as a slight mist often rises from the river after a
hot day in summer. I may have been there about ten minutes, no longer,
when I saw the study window of _The Hollies_ thrown open, and Mr.
Grant’s figure was silhouetted by the lamp behind him. He seemed to be
listening for something, so I, who must have heard any unusual sound,
listened too. There was nothing. I could hear the ripple of the river
beneath the bridge, so everything was very still. After a minute, or
two, perhaps—no longer—Mr. Grant went in, and closed the window. Then I
went to bed.”
“Did Mr. Grant draw any blind or curtains?”
“There are muslin curtains attached to each side of the window. One
cannot see into the room from a distance.”
Furneaux measured an imaginary line drawn from Doris’s bedroom to the
edge of the cliff, and prolonged it.
“Nor can you see the river or foot of the lawn from your room,” he
commented.
“No. In winter I can just make out the edge of the lawn. When the trees
are in leaf, all the lower part is hidden.”
“You had actually retired to rest about eleven, I suppose?”
“Yes.”
“So if Mr. Grant came out again you would not know?” Doris blushed
furiously, but her reply was unfaltering.
“I would have known during the next half-hour, at least,” she said. “An
inclined mirror hangs in my room. I use it sometimes for adjusting a
hat. The square of light from Mr. Grant’s room is reflected in it, and
any sudden increase in the illumination caused by opening the window or
pulling the curtains aside would certainly have caught my eye.”
“You have an unshakable witness in Miss Martin,” said Furneaux,
stabbing a finger at Grant. “Now, I’ll hurry off. You and I, Mr. Grant,
meet at Philippi, otherwise known as the crowner’s quest.”
Any benevolent intent he may have had in leaving these young people
together was, however, frustrated by Doris, whose composure seemed to
have fled since her statement about the mirror. She resolutely
accompanied the detective, and Grant had to follow. All three passed
into the post office, Doris using the private door. Mr. Martin looked
up from his desk when they appeared, and requested his daughter to
check a bundle of postal orders. The pretext was painfully obvious, but
Grant was not so wishful now to clear up matters with Doris’s father,
as the girl herself might be trusted to pass on an accurate account of
the affair from beginning to end.
He was about to reach the street quick on Furneaux’s heels when the
little man turned suddenly.
Public-domain text, read in full here on John Shaqi.
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