“What is it about candlesticks?” said I to Mr. Potiphar. “Perhaps Mr. Cheese finds gas too bright for his eyes; and that’s his misfortune, not his fault. “Polly,” said Mr. Potiphar, who _will_ call me Polly, although it sounds so very vulgar, “please not to meddle with things you don’t understand. You may have Cream Cheese to dinner as much as you choose, but I will not have him in the pulpit of my church.” The same day Mr. Cheese happened in about lunch-time, and I asked him if his eyes were really weak. “Not at all,” said he, “why do you ask?” Then I told him that I had heard he was so fond of candlesticks. Ah! Caroline, you should have seen him then. He stopped in the midst of pouring out a glass of Mr. P.’s best old port, and holding the decanter in one hand, and the glass in the other, he looked so beautifully sad, and said in that sweet low voice: “Dear Mrs. Potiphar, the blood of the martyrs is the seed of the church.” Then he filled up his glass, and drank the wine off with such a mournful, resigned air, and wiped his lips so gently with his cambric handkerchief (I saw that it was a hem-stitch), that I had no voice to ask him to take a bit of the cold chicken, which he did, however, without my asking him. But when he said in the same low voice, “A little more breast, dear Mrs. Potiphar,” I was obliged to run into the drawing room for a moment, to recover myself. Well, after he had lunched I told him that I wished to take his advice upon something connected with the church, (for a prayer-book _is,_ you know, dear,) and he looked so sweetly at me, that, would you believe it, I almost wished to be a Catholic, and to confess three or four times a week, and to have him for my confessor. But it’s very wicked to wish to be a Catholic, and it wasn’t real much, you know; but somehow I thought so. When I asked him in what velvet he would advise me to have my prayer-book bound, he talked beautifully for about twenty minutes. I wish you could have heard him. I’m not sure that I understood much of what he said--how should I?--but it was very beautiful. Don’t laugh, Carrie, but there was one thing I did understand, and which, as it came pretty often, quite helped me through: it was, “Dear Mrs. Potiphar;” you can’t tell how nicely he says it. He began by telling me that it was very important to consider all the details and little things about the church. He said they were all Timbales or Cymbals--or something of that kind; and then he talked very prettily about the stole, and the violet and scarlet capes of the cardinals, and purple chasubles, and the lace edge of the Pope’s little short gown; and--do you know it was very funny--but it seemed to me, somehow, as if I was talking with Portier or Florine Lefevre, except that he used such beautiful words. Well, by and by, he said:--