I can’t bear to hear Mr.P. talk in that way; it sounds so like preaching. Not precisely like what I hear at church but like what we mean when we say “preaching,” without referring to any particular sermon. However, he grants that young Timon is an extreme case: but, he says, it is the result that proves the principle, and a state of feeling which not only allows, but indirectly fosters, that result, is frightful to think of. “Don’t think of it then, Mr. P.,” said I. He looked at me for a moment with the sternest scowl I ever saw upon a man’s face, then he suddenly ran up to me, and kissed me on the forehead (although my hair was all dressed for Mrs. Gnu’s dinner), and went out of the house. He hasn’t said much to me since, but he speaks very gently when he does speak, and sometimes I catch him looking at me in such a singular way, so half mournful, that Mr. Cheese’s eyes don’t seem so very sad after all. However, to return to the party, I believe nothing else was injured except the curtains in the front drawing-room, which were so smeared with ice-cream and oyster gravy, that we must get new ones; and the cover of my porcelain tureen was broken by the servant, though the man said he didn’t really mean to do it, and I could say nothing; and a party of young men, after the German Cotillion, did let fall that superb cut-glass Claret, and shivered it, with a dozen of the delicately engraved straw-stems that stood upon the waiter. That was all, I believe--oh! except that fine “Dresden Gallery,” the most splendid book I ever saw, full of engravings of the great pictures in Dresden, Vienna, and the other Italian towns, and which was sent to Mr. P. by an old friend, an artist, whom he had helped along when he was very poor. Somebody unfortunately tipped over a bottle of claret that stood upon the table, (I am sure I don’t know how it got there, though Mr. P. says Gauche Boosey knows,) and it lay soaking into the book, so that almost every picture has a claret stain, which looks so funny. I am very sorry, I am sure, but as I tell Mr. P., it’s no use crying for spilt milk. I was telling Mr. Boosey of it at the Gnus’ dinner. He laughed very much, and when I said that a good many of the faces were sadly stained, he said in his droll way, “You ought to call it _L’Opera di Bordeaux; Le Domino rouge._” I supposed it was something funny, so I laughed a good deal. He said to me later: “Shall I pour a little claret into your book--I mean into your glass?” Wasn’t it a pretty _bon-mot?_ Don’t you think we are getting very _spirituel_ in this country?