Satire; United States -- Social life and customs -- 19th century -- Fiction
“Certainly not,” said I; and fell in love with the present
Mrs. Potiphar, and married her off-hand. So, if she calls this
genuine influence of association a mere whim--let it go at that. She
is a whim, too. My mistake simply was in not following out the
romantic whim, and marrying Lucy Lamb. At least it seems to me so,
this morning. In fact sitting in my very new “palatial residence,” the
whole business of life seems to me rather whimsical.
For here I am, come into port at last. No longer young,--but worth a
good fortune,--master of a great house,--respected down town,--husband
of Mrs. Potiphar,--and father of Master Frederic ditto. Per contra; I
shall never be in love again,--in getting my fortune I have lost my
real life,--my house is dreary,--Mrs. Potiphar is not Lucy Lamb,--and
Master Frederic--is a good boy.
The game is all up for me, and yet I trust I have good feeling enough
left to sympathize with those who are still playing. I see girls as
lovely and dear as any of which poets have sung--as fresh as
dew-drops, and beautiful as morning. I watch their glances, and
understand them better than they know.--for they do not dream that
“old Potiphar” does any thing more than pay Mrs. P.’s bills. I see the
youths nervous about neckcloths, and anxious that their hair shall be
parted straight behind. I see them all wear the same tie, the same
trowsers, the same boots. I hear them all say the same thing, and
dance with the same partners in the same way. I see them go to Europe
and return--I hear them talk slang to show that they have exhausted
human life in foreign parts and observe them demean themselves
according to their idea of the English nobleman. I watch them go in
strongly for being “manly,” and “smashing the spoonies”--asserting
intimacies with certain uncertain women in Paris, and proving it by
their treatment of ladies at home. I see them fuddle themselves on
fine wines and talk like cooks, play heavily and lose, and win, and
pay, and drink, and maintain a conservative position in politics,
denouncing “Uncle Tom’s Cabin,” as a false and fanatical tract; and
declaring that our peculiar institutions are our own affair, and that
John Bull had better keep his eyes at home to look into his coal
mines. I see this vigorous fermentation subside, and much clear
character deposited--and, also, much life and talent muddled forever.
Public-domain text, read in full here on John Shaqi.
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