“Vanity Fair,” is peculiarly a picture of modern society. It aims at English follies, but its mark is universal, as the madness is. It is called a satire, but after much diligent reading, we cannot discover the satire. A state of society not at all superior to that of “Vanity Fair” is not unknown to our experience; and, unless truth-telling be satire; unless the most tragically real portraiture be satire; unless scalding tears of sorrow, and the bitter regret of a manly mind over the miserable spectacle of artificiality, wasted powers, misdirected energies, and lost opportunities, be satirical; we do not find satire in that sad story. The reader closes it with a grief beyond tears. It leaves a vague apprehension in the mind, as if we should suspect the air to be poisoned. It suggests the terrible thought of the enfeebling of moral power, and the deterioration of noble character, as a necessary consequence of contact with “society.” Every man looks suddenly and sharply around him, and accosts himself and his neighbors, to ascertain if they are all parties to this corruption. Sentimental youths and maidens, upon velvet sofas, or in calf-bound libraries, resolve that it is an insult to human nature--are sure that their velvet and calf-bound friends are not like the dramatis personae of “Vanity Fair,” and that the drama is therefore hideous and unreal. They should remember, what they uniformly and universally forget, that we are not invited, upon the rising of the curtain to behold a cosmorama, or picture of the world, but a representation of that part of it called Vanity Fair. What its just limits are-how far its poisonous purlieus reach--how much of the world’s air is tainted by it, is a question which every thoughtful man will ask himself, with a shudder, and look sadly around, to answer. If the sentimental objectors rally again to the charge, and declare that, if we wish to improve the world, its virtuous ambition must be piqued and stimulated by making the shining heights of “the ideal” more radiant; we reply, that none shall surpass us in honoring the men whose creations of beauty inspire and instruct mankind. But if they benefit the world, it is no less true that a vivid apprehension of the depths into which we are sunken or may sink, nerves the soul’s courage quite as much as the alluring mirage of the happy heights we may attain. “To hold the mirror up to Nature,” is still the most potent method of shaming sin and strengthening virtue.