Her broad face broadened still more into a smile. 'The Huzoor doth not
understand! Lo! when the potter works on the clay, his hand slips
sometimes in the moulding. It leaves a furrow, so,'--her brown finger,
set with tarnished silver rings, traced a girdle round the baby's naked
breast--'then in the firing the pot cracks. Cracks like these,'--here
the finger pointed to the sherds among which she sate,--'so when
children are born as this one, we say 'tis the potter's thumb.
Sometimes there is a mark,'--again the finger softly followed the line
it had traced before--'this one had it clear when he came; sometimes
none can see it, but 'tis there all the same, all the same. The
potter's thumb has slipped; the pot will crack in the firing.'
Her voice took a cadence as if accustomed to the words.
'What _is_ she saying?' interrupted George Keene impatiently. He was a
middle-sized lad of twenty or thereabouts, powerfully made, with grey
eyes and white teeth gleaming in an aquiline, sunburnt face.
'Something ghastly,' replied Dan. 'It always is so, you'll find, my
dear boy, when you dip below the indifferent calm of these people. It's
like deciphering a tombstone. But come on. We are due already at the
World, the Flesh, and the Devil's.' Then he paused, gave a short laugh,
and flung out his hands in an impulsive gesture. 'By the Powers!' he
went on, his face seeming to kindle with the fuel of his own fancy,
'it's gruesome entirely. This heap of dust they call Hodinuggur, as
they call thousands of such human ant-hills all over India; for
wherever when you dig, the bricks grow bigger and bigger till, _hocus
pocus_! they vanish in the dust from which God made man--_that_ is
Hodinuggur; the old city, it means. What city? who knows! Then in the
corner of this particular one a survival'--his eager hand pointed to
the pile of buildings before them--'not of those old days, for no
Moghul in India dates beyond Timoor, and these people are Moghuls; but
of that Mohammedan civilisation which overwhelmed the older one, just
as we in our turn are overwhelming the Moghul--who in the meantime
bullies the people by virtue of an Englishman's signature on a piece of
parchment----'
'But I suppose we found the Diwân in possession when we annexed----'
began George stolidly.
Dan scorned the interruption and the common-sense. 'Oh, 'tis queer,
looked at any way. A mound of sherds and dust higher than the gateway
of the palace. I'll go bail that reed hut yonder on the top is higher
than old Zubr-ul-Zamân's tower. He lives up there winter and summer,
does the old Diwân, looking out over his world and the strength of
it--that's what his name means, you know. His son, Khush-hâl Beg, lives
in the next storey. A Jack Falstaff of a man--that's why I call him the
Flesh. Then Dalel, the Devil, roams about seeking whom he may devour.'
'A charming trio; and what part have I to play in the drama?' asked
George with a laugh.
'St. George, of course.'
Public-domain text, read in full here on John Shaqi.
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