And that same evening, while he was reading the last number of the
_Nineteenth Century_ in the verandah, Chândni had an interview with the
old Diwân on his tower, which, had George been aware of it, would have
seemed to him farcical beyond belief, though it was deadly earnest to
the actors. She sat at the old man's feet so as to be within earshot of
a whisper, since walls, especially in an Indian palace, have ears. That
was why Diwân's chair was set out in the open under the star-gemmed
dome of the sky which paled to its circled setting of plain that, seen
from the height, seemed in its turn to curve, cup-like, to meet the
sky. The decent domino she had worn on her way was cast aside out of
sheer coquetry, so that her supple figure, unadorned save for the heavy
chaplets of jasmine flowers shrouding the filmy muslin, might stand
outlined above the low parapet among the stars. For Chândni was shrewd.
The ordinary jewels of her class might have aroused memories in the old
man, and she wished to impress him with her individuality.
'Nay, daughter,' he said approvingly, 'I well believe failure was not
thy fault. As for thy plan--speak.'
She drew her lips closer to his ear, and laid one hand on his knee, as
if to hold his attention.
'Father! all men care for something. He cares not for what he has been
given. Let us try others. If they fail, well and good. Now there is one
thing such as he favour--God knows why?--but I have seen them myself in
the bazaar at Delhi--sahibs who have come over the black water to buy
ragged rugs and battered brass pots. Why? Because, forsooth, they are
old! The crazy potter would say it was because they remember them. I
know not. But this boy pokes about the old things--questions of the old
tales.'
Zubr-ul-Zamân nodded approval. 'True, he favoured the Ayôdhya pot; but
he returned it.'
Chândni's eyes sparkled, then fell. 'So! that is one thing to begin
with. Then he is of those who watch flowers grow and birds build their
nests; who paint colour an paper for the love of it. Again, when the
fowler fails in all else he baits the snare with pity, and sets a
decoy-bird a-fluttering within the net. This boy gives quinine to
the old wives, and fish-oil to the babes born with the Potter's
thumb-mark.' Her laughter crackled joylessly.
'Words--words,' muttered the old man impatiently. What wouldest thou
do?'
She drew closer, and the movement sent a wave of perfume from the
jasmine chaplets into the air.
'Lend me Azîzan for a week, and thou shalt see.'
Scent, so people say, is the most powerful stimulant to bygone
memories; perhaps that was the reason why her words brought such a
pulse of fierce life to the old face. 'Azîz! Nay! she is of the house.'
Public-domain text, read in full here on John Shaqi.
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