But George Keene, over the way in the branded bungalow, was safely
tucked up in sheets and blankets, whence nothing short of an earthquake
would have roused him.
An earthquake, or else a prescience of the hideous caricature Chândni
had been making of the _trois temps_ over in the palace.
CHAPTER IV
George Keene was trying to translate the cloth-of-gold sunlight into
cadmium yellow, with the result that the blue of the tiles in his
sketch grew green, and the opal on the pigeon's breasts as they sidled
along the cornice, was dimmed to dust colour.
The courtyard with its blind arcades of Saracenic arches surrounding
the mosque, lay bare and empty, as it always did save at the hours of
prayer. He looked across it with a dissatisfied expression, noting the
intense colour of certain tiles which were mixed up with those more
modern ones bearing the Arabic letterings. The former reminded him of
the Ayôdhya pot, and set him a-wondering if he should ever have an
honest chance of procuring one like his first bribe. The old potter,
his authority in such matters, had told him they were still to be
found, more or less broken, in the digging of graves, or the sinking of
wells. Hitherto, however, he had failed to hear of one. Yet, the
possibility remained, since those tiles, which must be centuries older
than the _café chantant_ sort of proscenium on which they were inlaid,
had survived. The latter he saw clearly, now he came to draw it, had
been added on to an older building behind; probably a Hindu temple. So,
when all was said and done, that figure of a grave and reverend
Mohammedan moulvie, which he had intended to put in the foreground,
might not have so much right to be there as a priest of Baal. It was a
confusing country!
When he looked up again from his work, he gave a start; for a totally
unexpected model was squatting on the flags of his foreground. A mere
slip of a village girl; and yet was she of the village? More likely a
stranger--perhaps one of the southern tribes of whom the potter told
tales--since her dress was odd.
It consisted of a reddish purple drapery, more tike wool than cotton in
texture, with a stitched border in browns and creams such as the desert
folk embroider on their camel trappings. It was an admirable piece of
colouring against that blue background, and he began upon it at once,
reckless of the averted face; for he was accustomed to be thus watched
furtively from afar, and knew that the least notice would end in
instant flight, as of a wild animal. Besides, the faces were apt to be
disappointing. This one, however, was not, and his first glimpse of it
gave him quite a shock. Without being beautiful, it was most peculiar;
a golden brown face, with a long straight nose, and a wide, curved
mouth; golden brown hair under the reddish purple of the veil; golden
brown eyes, and a golden brown arm circled with big bronze bracelets
stretched out so that the hand rested on----!
Public-domain text, read in full here on John Shaqi.
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