Detective and mystery stories; Legal stories; Leithen, Edward (Fictitious character) -- Fiction
"That might be true if the new knowledge really became the world's
property. But does it? I read now and then in the papers that some
eminent scientist has made a great discovery. He reads a paper
before some Academy of Science, and there are leading articles on it,
and his photograph adorns the magazines. That kind of man is not the
danger. He is a bit of the machine, a party to the compact. It is
the men who stand outside it that are to be reckoned with, the
artists in discovery who will never use their knowledge till they can
use it with full effect. Believe me, the biggest brains are without
the ring which we call civilisation."
Then his voice seemed to hesitate. "You may hear people say that
submarines have done away with the battleship, and that aircraft have
annulled the mastery of the sea. That is what our pessimists say.
But do you imagine that the clumsy submarine or the fragile aeroplane
is really the last word of science?"
"No doubt they will develop," I said, "but by that time the power of
the defence will have advanced also."
He shook his head. "It is not so. Even now the knowledge which
makes possible great engines of destruction is far beyond the
capacity of any defence. You see only the productions of second-rate
folk who are in a hurry to get wealth and fame. The true knowledge,
the deadly knowledge, is still kept secret. But, believe me, my
friend, it is there."
He paused for a second, and I saw the faint outline of the smoke from
his cigar against the background of the dark. Then he quoted me one
or two cases, slowly, as if in some doubt about the wisdom of his
words.
It was these cases which startled me. They were of different
kinds--a great calamity, a sudden breach between two nations, a
blight on a vital crop, a war, a pestilence. I will not repeat them.
I do not think I believed in them then, and now I believe less. But
they were horribly impressive, as told in that quiet voice in that
sombre room on that dark June night. If he was right, these things
had not been the work of Nature or accident, but of a devilish art.
The nameless brains that he spoke of, working silently in the
background, now and then showed their power by some cataclysmic
revelation. I did not believe him, but, as he put the case, showing
with strange clearness the steps in the game, I had no words to
protest.
At last I found my voice.
"What you describe is super-anarchy, and yet it makes no headway.
What is the motive of those diabolical brains?"
Public-domain text, read in full here on John Shaqi.
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