Botany; Geotropism; Plants -- Irritability and movements
A fine, nearly full-grown leaf on a young plant, 8 inches in height,
with the stem secured to a stick at the base of the leaf, was observed
from 8.30 A.M. June 22nd to 8 A.M. June 24th.
In the diagram given on the next page (Fig. 150), the two curved broken
lines at the base, which represent the nocturnal courses, ought to be
prolonged far downwards. On the first day the leaflet moved thrice down
and thrice up, and to a considerable distance laterally; the course was
also remarkably crooked. The dots were generally made every hour; if
they had been made every few minutes all the lines would have been
zigzag to an extraordinary degree, with here and there a loop formed.
We may infer that this would have been the case, because five dots were
made in the course of 31 m. (between 12.34 and 1.5 P.M.), and we see in
the upper part of the diagram how crooked the course here is; if only
the first and last dots had been joined we should have had a straight
line. Exactly the same fact may be seen in the lines representing the
course between 2.24 P.M. and 3 P.M., when six intermediate dots were
made; and again at 4.46 and 4.50. But the result was widely different
after 6 P.M.,—that is, after the great nocturnal descent had commenced;
for though nine dots were then made in the course of 32 m., when these
were joined (see Figure) the line thus formed was almost straight. The
leaflets, therefore, begin to descend in the afternoon by zigzag lines,
but as soon as the descent becomes rapid their whole energy is expended
in thus moving, and their course becomes rectilinear. After the
leaflets are completely asleep they move very little or not at all.
Fig. 150. Desmodium gyrans: circumnutation and nyctitropic movement of
leaf (3 3/4 inches in length, petiole included) during 48 h. Filament
affixed to midrib of terminal leaflet; its apex 6 inches from the
vertical glass. Diagram reduced to one-third of original scale. Plant
illuminated from above. Temp. 19°–20° C.
Public-domain text, read in full here on John Shaqi.
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