The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomy — John Shaqi
The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomyDick, Thomas
Science
The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomy
Dick, Thomas
Astronomical instruments; Astronomy; Telescopes
The _green_ colour of plants is likewise found to depend on the sun’s
light being allowed to shine on them; for without the influence of
the solar light, they are always of a _white_ colour. It is found by
experiment that, if a plant which has been reared in darkness be
exposed to the light of day, in two or three days it will acquire a
green colour perceptibly similar to that of plants which have grown
in open day-light. If we expose to the light one part of the plant,
whether leaf or branch, this part alone will become green. If we cover
any part of a leaf with an opake substance, this place will remain
white, while the rest becomes green. The whiteness of the inner leaves
of cabbages is a partial effect of the same cause, and many other
examples of the same kind might easily be produced. M. Decandolle,
who seems to have paid particular attention to this subject, has the
following remarks: ‘It is certain, that between the white state of
plants vegetating in darkness, and complete verdure, every possible
intermediate degree exists, determined by the intensity of the light.
Of this any one may easily satisfy himself by attending to the colour
of a plant exposed to the full day-light; it exhibits in succession
all the degrees of verdure. I had already seen the same phenomenon,
in a particular manner, by exposing plants reared in darkness to the
light of lamps. In these experiments, I not only saw the colour come on
gradually, according to the continuance of the exposure to light; but
I satisfied myself, that a certain intensity of permanent light never
gives to a plant more than a certain degree of colour. The same fact
readily shows itself in nature, when we examine the plants that grow
under shelter or in forests, or when we examine in succession the state
of the leaves that form the heads of cabbages.’[6]
Public-domain text, read in full here on John Shaqi.
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