And here we may pause to observe how the strange contradictions
that are found in the human character frequently produce a line of
conduct which would, at first sight, appear irreconcilable with all
probability, and yet which is in strict accordance with the secret
workings of the wayward will by which it is directed. Thus Mahéga, when
he first became smitten with the beauty of Prairie–bird in the Delaware
camp, where she was surrounded by friends and protectors, wooed her
with the rough impetuosity of his nature, and, finding his advances
rejected, he resorted, as we have seen, to brutal violence, his passion
being so much heightened by the obstacles which it encountered, that,
in order to gratify it, he provoked that quarrel with the Delawares in
which so much blood, both of his own people and of his allies, had been
already shed. Now that he was triumphant, and felt secure of the person
of his captive, a new and ardent desire had arisen within him,—a
desire to compel her to love him. In this pursuit, also, his proud and
haughty spirit led him to anticipate success; and thus, for a time, the
darker and more malignant feelings of his bosom slumbered undisturbed.
One evening, when he had held his customary talk with Prairie–bird,
he retired to his lodge, and the maiden to her tent, where she took
up her long–neglected guitar, and ran her fingers carelessly through
its strings. Lita sat by her side, braiding the front of a pair of
mocassins with stained quills of the porcupine; and, although neither
sigh nor tear betrayed her feelings, Prairie–bird, whose heart now led
her intuitively to dive into that of her companion, saw that sad and
busy thoughts were there: the Comanche girl, proud and reserved as she
was with others, had been won, by the gentleness of her mistress, to
entertain for her an attachment, that was now strengthened and cemented
by the trials and dangers which they had shared together. It might,
indeed, be supposed that, as both were now captives of the chief of
another tribe, the relation of distress and servant had ceased; yet
Lita seemed to think otherwise, and her attendance upon Prairie–bird
was, if possible, more devoted than before.
“For whom are you ornamenting those mocassins, Lita?” inquired the
latter, with a sad smile.
“For whom?” repeated Lita, casting up her dark eyes, and fixing them
on her mistress as if she would read her soul. The tone in which the
exclamation was uttered, and the look by which it was accompanied,
assured Prairie–bird that her conjectures were well founded.
When the heart is full, one overflowing drop tells the contents of the
golden chalice; and from the two words spoken by her companion, Olitipa
gathered her meaning as well as if she had replied, “Is there any other
being on earth but one for whom I can be braiding them?”
Public-domain text, read in full here on John Shaqi.
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