Love stories; Russia -- Social life and customs -- 1533-1917 -- Fiction
Raisky took his cap to go out, and Marfinka went with him. She showed
him the park, her own garden, the vegetable and flower gardens, and the
arbours. When they came to the precipice she looked anxiously over the
edge, and drew back with a shudder. Raisky looked down on the Volga,
which was in flood, and had overflowed into the meadows. In the distance
were ships which appeared to be motionless, and above hung heaped banks
of cloud. Marfinka drew closer to Raisky, and looked down indifferently
on the familiar picture.
“Come down!” he said suddenly, and seized her hand.
“No, I am afraid,” she answered trembling, and drew back.
“I won’t let you fall. Do you think I can’t take care of you?”
“Not at all, but I am afraid. Veroshka has no fear, but goes down alone,
even in the dusk. Although a murderer lies buried there, she is not
afraid.”
“Try, shut your eyes, and give me your hand. You will see how carefully
I take you down.”
Marfinka half closed her eyes, but she had hardly taken his hand and
made one step, when she found herself standing on the edge of the
precipice. Shuddering she withdrew her hand.
“I would not go down for anything in the world,” she cried as she ran
back. “Where are you going to!”
No answer reached her. She approached the edge and looked timidly over.
She saw how the bushes were bent noisily aside, as Raisky sprang down,
step by step. How horrible! she thought as she returned to the house.
CHAPTER VII
Raisky went nearly all round the town, and when he climbed the cliffs
once more, he was on the extreme boundary of his estate. A steep path
led down to the suburbs, and the town lay before him as in the palm of a
hand. Stirred with the passion aroused by his memories of childhood, he
looked at the rows of houses, cottages and huts. It was not a town, but,
like other towns, a cemetery. Going from street to street, Raisky saw
through the windows, how in one house the family sat at dinner, and in
another the amovar had already been brought in. In the empty streets,
every conversation could be heard a _verst_ away; voices and
footsteps re-echoed on the wooden pavement. It seemed to Raisky a
picture of dreamy peace, the tranquillity of the grave. What a frame for
a novel, if only he knew what to put in the novel. The houses fell into
their places in the picture that filled his mind, he drew in the faces
of the towns-people, grouped the servants with his aunt, the whole
composition centring in Marfinka. The figures stood sharply outlined in
his mind; they lived and breathed. If the image of passion should float
over this motionless sleeping little world, the picture would glow with
the enchanting colour of life. Where was he to find the passion, the
colour?
“Passion!” he repeated to himself. If her burning fire could but be
poured out upon him, and engulf the artist in her destroying waves.
Public-domain text, read in full here on John Shaqi.
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