Love stories; Russia -- Social life and customs -- 1533-1917 -- Fiction
“There you have it. But it was only a matter of a hundred apples or so
that I plucked from over the fence.”
“The apples are mine; you may take as many as you like.”
“Many thanks. But why should I need your permission? I am accustomed to
do everything in this life without permission. Therefore I will take the
apples without your permission, they taste better.”
“I was curious to make your acquaintance. I hear so many tales about
you.”
“What do they say?”
“Little that is good.”
“Probably they tell you I am a thief, a monster, the terror of the
neighbourhood.”
“That’s about it.”
“But if this reputation precedes me, why should you seek my acquaintance.
I have torn your books, as no doubt our friend there has informed you.”
“There he is to the point,” cried Leonti. “I am glad he began the
subject himself. He is a good sort at the bottom. If one is ill, he
waits on one like a nurse, runs to the chemist, and takes any amount of
trouble. But the rascal wanders round and gives no one any peace.”
“Don’t chatter so,” interrupted Mark.
“For that matter,” said Raisky, “everybody does not abuse you. Tiet
Nikonich Vatutin, for instance, goes out of his way to speak well of
you.”
“Is it possible! The sugar marquis! I left him some souvenirs of my
presence. More than once I have waked him in the night by opening his
bedroom window. He is always fussing about his health, but in all the
forty years since he came here no one remembers him to have been ill. I
shall never return the money he lent me. What more provocation would he
have? And yet he praises me.”
“So that is your department of art,” said Raisky gaily.
“What kind of an artist are you? It is your turn to tell me.”
“I love and adore beauty. I love art, draw, and make music, and just now
I am trying to write a great work, a novel.”
“Yes, yes, I see. You are an artist of the kind we all are.”
“All?”
“With us Russians everybody is an artist. They use the chisel, paint,
strum, write poetry, as you and your like do. Others drive in the
mornings to the courts or the government offices, others sit before
their stalls playing draughts, and still others stick on their
estates--Art is everywhere.”
“Do you feel no desire to enter any of these categories.”
“I have tried, but don’t know how to. What brought you here?”
“I don’t know myself. It is all the same to me where I go. I had a
letter summoning me here from my Aunt, and I came.”
Public-domain text, read in full here on John Shaqi.
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