Feminist fiction; Women -- Social and moral questions -- Fiction; Young women -- Fiction
The curtain closed on the last act,--on the little dead
Cio-Cio-San,--and the people stood on their feet to call Farrar, giving
her unstintedly of their _bravas_. Kate and Marna stood with the others,
but they were silent. There were large, glistening tears on Marna's
cheeks, and Kate refrained from adding to her silent singing-bird's
distress by one word of appreciation of the evening's pleasure; but as
they moved down the thronged aisle together, she caught Marna's hand in
her own, and felt her fingers close about it tenaciously.
Outside a bitter wind was blowing, and with such purpose that it had
cleared the sky of the day's murk so that countless stars glittered with
unwonted brilliancy from a purple-black heaven. Crowded before the
entrance were the motors, pouring on in a steady stream, their lamps
half dazzling the pedestrians as they struggled against the wind that
roared between the high buildings.
Though Marna was to take the Madison Street car, they could not resist
the temptation to turn upon the boulevard where the scene was even more
exhilarating. The high standing lights that guarded the great drive
offered a long and dazzling vista, and between them, sweeping steadily
on, were the motor-cars. Laughing, talking, shivering, the people
hastened along--the men of fashion stimulated and alert, their women
splendid in furs and cloaks of velvet while they waited for their
conveyances; by them tripped the music students, who had been
incomparably happy in the highest balcony, and who now cringed before
the penetrating cold; among them marched sedately the phalanx of
middle-class people who permitted themselves an opera or two a year, and
who walked sedately, carrying their musical feast with a certain sense
of indigestion;--all moved along together, thronging the wide pavement.
The restaurants were awaiting those who had the courage for further
dissipation; the suburban trains had arranged their schedules to
convenience the crowd; and the lights burned low in the hallways of
mansions, or apartments, or neat outlying houses, awaiting the return of
these adventurers into another world--the world of music. All would talk
of Farrar. Not alone that night, nor that week, but always, as long as
they lived, at intervals, when they were happy, when their thoughts were
uplifted, they would talk of her. And it might have been Marna Cartan
instead of Geraldine Farrar of whom they spoke!
Public-domain text, read in full here on John Shaqi.
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