Feminist fiction; Women -- Social and moral questions -- Fiction; Young women -- Fiction
"Marna of the far quest" might have made this "flight unhazarded"; might
have been the core of all this fine excitement. But she had put herself
out of it. She had sold herself for a price--the usual price. Kate would
not go so far as to say that a birthright had been sold for a mess of
pottage, but Ray McCrea's stock was far below par at that moment. Yet
Ray, as she admitted, would not doom her to a life of monotony and heavy
toil. With him she would have the free and useful, the amusing and
excursive life of an American woman married to a man of wealth. No, her
programme would not be a petty one--and yet--
"Do take a cab, Marna," she urged. "My treat! Please."
"No, no," said Marna in a strained voice. "I'll not do that. A
five-cent ride in the car will take me almost to my door; and besides
the cars are warm, which is an advantage."
It was understood tacitly that Kate was the protector, and the one who
wouldn't mind being on the street alone. They had but a moment to wait
for Marna's car, but in that moment Kate was thinking how terrible it
would be for Marna, in her worn evening gown, to be crowded into that
common conveyance and tormented with those futile regrets which must be
her so numerous companions.
She was not surprised when Marna snatched her hand, crying:--
"Oh, Kate!"
"Yes, yes, I know," murmured Kate soothingly.
"No, you don't," retorted Marna. "How can you? It's--it's the milk."
There was a catch in her voice.
"The milk!" echoed Kate blankly. "What milk? I thought--"
"Oh, I know," Marna cried impatiently. "You thought I was worrying about
that old opera, and that I wanted to be up there behind that screen
stabbing myself. Well, of course, knowing the score so well, and having
hoped once to do so much with it, the notes did rather try to jump out
of my throat. But, goodness, what does all that matter? It's the baby's
milk that I'm carrying on about. I don't believe I told George to warm
it." Her voice ceased in a wail.
The car swung around the corner, and Kate half lifted Marna up the huge
step, and saw her go reeling down the aisle as the cumbersome vehicle
lurched forward. Then she turned her own steps toward the stairs of the
elevated station.
"The milk!" she ejaculated with commingled tenderness and impatience.
"Then that's why she didn't say anything about going behind the scenes.
I thought it was because she couldn't endure the old surroundings and
the pity of her associates of the opera-days. The milk! I wonder--"
What she wondered she did not precisely say; but more than one person on
the crowded elevated train noticed that the handsome woman in black
velvet (it really was velveteen, purchased at a bargain) had something
on her mind.
XXV
Public-domain text, read in full here on John Shaqi.
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