Feminist fiction; Women -- Social and moral questions -- Fiction; Young women -- Fiction
"It's hard to manage anything extra during the day," said Kate. "I must
go some evening."
"Perhaps Cousin Mary could go with you," suggested Honora. Honora threw
a glance of affectionate admiration at her young cousin, who had
blossomed out in a bewitching little frock of baby blue, and whose eyes
reflected the color.
She was, indeed, an entrancing thing, was "Blue-eyed Mary." The
tenderness of her lips, the softness of her complexion, the glamour of
her glance increased day by day, and without apparent reason. She seemed
to be more eloquent, with the sheer eloquence of womanly emotion.
Everything that made her winning was intensified, as if Love, the
Master, had touched to vividness what hitherto had been no more than a
mere promise.
What was the secret of this exotic florescence? She went out only to
University affairs with Honora or Kate, or to the city with Marna
Cartan. Her interests appeared to be few; and she was neither a writer
nor a receiver of letters. Altogether, the sources of that hidden joy
which threw its enchantment over her were not to be guessed.
But what did it all matter? She was an exhilarating companion--and what
a contrast to poor Lena! That night, lying in bed, Kate reproached
herself for her neglect of her once so faithful friend. Lena might be
going through some severe experience, alone and unaided. Kate determined
to find out the truth, and as she had a half-holiday on Saturday, she
started on her quest.
Lena, it transpired, had moved twice during the term and had neglected
to register her latest address. So she was found only after much
searching, and twilight was already gathering when Kate reached the
dingy apartment in which Lena had secreted herself. It was a rear room
up three flights of stairs, approached by a long, narrow corridor which
the economical proprietor had left in darkness. Kate rapped softly at
first; then, as no one answered, most sharply. She was on the point of
going away when the door was opened a bare crack and the white, pinched
face of Lena Vroom peered out.
"It's only Kate, Lena!" Then, as there was no response: "Aren't you
going to let me in?"
Still Lena did not fling wide the door.
"Oh, Kate!" she said vaguely, in a voice that seemed to drift from a
Maeterlinckian mist. "How are you?"
"Pretty sulky, thank you. Why don't you open the door, girl?"
At that Lena drew back; but she was obviously annoyed. Kate stepped into
the bare, unkempt room. Remnants of a miserable makeshift meal were to
be seen on a rickety cutting-table; the bed was unmade; and on the desk,
in the center of the room, a drop-lamp with a leaking tube polluted the
air. There was a formidable litter of papers on a great table, and
before it stood a swivel chair where Lena Vroom had been sitting
preparing for her degree.
Kate deliberately took this all in and then turned her gaze on her
friend.
"What's the use, girl?" she demanded with more than her usual
abruptness. "What are you doing it all for?"
Public-domain text, read in full here on John Shaqi.
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