The Preface to Aristotle's Art of PoetryDacier, André
Philosophy
The Preface to Aristotle's Art of Poetry
Dacier, André
Aristotle, 384 BC-322 BC. Poetics
[9] John Dennis, _Critical Works_ (ed. Edward N. Hooker), Baltimore
(1939-43), I, 30-35. For a succinct account of the English controversy
about the chorus see _ibid._, I, 437-438. Though Dennis did not agree
with Dacier on this point, he admired him. As late as 1726, in the
preface to _The Stage Defended_, he quoted Dacier's preface and spoke of
him as "that most judicious Critick." _Ibid._, II, 309.
[10] John Dryden, _Letters_ (ed. C.E. Ward), Duke University Press,
1942, pp. 71-72. Hooker has noticed the similarity of two of Dennis's
opinions to views expressed by Dryden in his then unpublished "Heads of
an Answer" to Rymer's _Tragedies of the Last Age_, 1678.
[11] W.P. Ker, _Essays of John Dryden_, Oxford, 1926, II, 136.
[12] Ker, II, 144. Cf. Dennis's similar remark in _The Impartial
Critick_, Hooker, I, 31. Racine, in his preface to _Esther_, said
nothing doctrinaire about the use of the chorus. He merely mentioned
that it had occurred to him to introduce the chorus in order to imitate
the ancients and to sing the praises of the true God.
[13] J.E. Spingarn, _Critical Essays of the Seventeenth Century_,
Oxford, 1908-09, III, 227 and 240.
[14] _Treatise of the Epick Poem_, London, 1695, _sig._ [A 3] _verso_- A
4, _recto_.
[15] Jeremy Collier, "A Defence of the Short View.... Being a Reply to
Mr. Congreve's Amendments," _A Short View of the Profaneness and
Immorality of the English Stage_, etc., London, 1738, p. 251.
[16] _Traité du Poëme Epique_, I, ch. vi and vii.
ARISTOTLE'S
ART
OF
POETRY.
Translated from the Original _Greek_, according to Mr. _Theodore
Goulston_'s Edition.
TOGETHER,
With Mr. _D'ACIER_'s Notes Translated from the _French_.
----_Vero nomine poena
Non Honor est._----
Ovid Metam. _lib._ 2.
_LONDON_:
Printed for _Dan. Browne_ at the _Blalk Swan_ without _Temple Bar_, and
_Will. Turner_ at the _Angel_ at _Lincolns-Inn_ Back Gate, 1705.
THE PREFACE
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