The Preface to the Aeneis of Virgil (1718)Trapp, Joseph
History
The Preface to the Aeneis of Virgil (1718)
Trapp, Joseph
Aeneas (Legendary character) -- In literature; Epic poetry, Latin -- History and criticism; Rome -- In literature; Virgil. Aeneis
For _Style_, _Diction_, and _Verification_, _Homer_, I acknowledge, is
allowed the Triumph, even by the Generality of _Virgil_'s Party:
particularly by _Rapin_; as he is likewise by him in the Instances of
_Fire_, and _Description_, above-mentioned. However, that I may not be
thought singular in my Opinion, a Character which I by no means desire;
it may be considered that I agree with _Scaliger_ in his express
Assertions, and with my Lord _Roscommon_ in his Hints and Insinuations,
not to mention other Authorities; when I frankly declare my Sentiments,
that the _Roman_ Poet is superiour to the _Grecian_ even in this
Respect. The _Greek_ Language, it is true, is superiour to the _Latin_,
in This, as well as in every thing else; being the most expressive, the
most harmonious, the most various, rich, and fruitful, and indeed, upon
all Accounts, the best Language in the World. But if notwithstanding
this great Advantage, _Virgil_'s Diction and Versification be preferable
to _Homer_'s; his Glory for That very Reason will be so much the
greater. _Homer's Epithets_, for the most part, are in _Themselves_
exceedingly beautiful; but are not many of them _superfluous_? Whether
many, nay all, of those Particles which are commonly (and indeed, I
think, falsly enough) called Expletives, be significant or no, I do not
now dispute: But admitting them to be so; are not too many little Words,
whether _Expletives_, nay whether _Particles_, or not, often crouded
together? Ἤ εἰ δή ποτέ τοι κατὰ, _&c._ and Ἦ ῥὰ νύ μοί ποτὲ καὶ σὺ,
_&c._ are not, I own, very agreeable Sounds to my Ears; and many more of
the same Kind are to be met with. Moreover, does not _Homer_ make an ill
use of one great Privilege of his Language, (among many others) I mean
That of dissolving Diphthongs, by so very frequently inserting a Word of
five, or six Syllables, to drag his Sense to the End of a Verse, which
concludes with the long Word aforesaid? Those Words, even at the End of
a Verse, are sometimes indeed very agreeable: But are they not often
otherwise? Especially at the Close of a Paragraph, or Speech; when for
the most part too they are Epithets: and yet more especially, when those
Epithets are of little Significancy? I shall give but one Instance,
tho' it were very easy to produce many; and That shall be the last Line
of the _Iliad_: Upon which, compared with the last of the _Æneis_, I
cannot but think that
_Vitaque cum gemitu fugit indignata sub umbras_,
is a nobler Conclusion of an Heroic Poem, than
Ὣς οἲ γ' ἀμφίεπον τάφον Ἕκτορος ἱπποδάμοιο.
A thousand things of the same, or of the like Nature, might be
mentioned: And I am aware that such Observations will by some Criticks
be called _modern Criticisms_. But be That as it will; I am for Truth
and Reason, whether it be called Ancient, or Modern.
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