The Preliminaries, and Other StoriesComer, Cornelia A. P. (Cornelia Atwood Pratt)
General
The Preliminaries, and Other Stories
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
Marriage -- Fiction; Mother and child -- Fiction; Short stories
Then again, before him loomed the prospect of his interview with Peter
Lannithorne. This was a very concrete unpleasantness. Hang it all!
Ruth was worth any amount of trouble, but still it was a tough thing
to have to go down to the state capital and seek one's future
father-in-law in his present boarding-place! One oughtn't to have to
plough through that particular kind of difficulty on such an errand.
Dimly he felt that the path to the Most Beautiful should be rose-lined
and soft to {35} the feet of the approaching bridegroom. But,
apparently, that was n't the way such paths were laid out. He resented
this bitterly, but he set his jaws and proceeded to make his
arrangements.
It was not difficult to compass the necessary interview. He knew a man
who knew the warden intimately. It was quickly arranged that he was to
see Peter Lannithorne in the prison library, quite by himself.
Oliver dragged himself to that conference by the sheer strength of his
developing will. Every fibre of his being seemed to protest and hold
back. Consequently he was not in the happiest imaginable temper for
important conversation.
The prison library was a long, narrow room, with bookcases to the
ceiling on one side and windows to the ceiling on the other. There
were red {36} geraniums on brackets up the sides of the windows, and a
canary's cage on a hook gave the place a false air of domesticity,
contradicted by the barred sash. Beneath, there was a window-seat, and
here Oliver Pickersgill awaited Lannithorne's coming.
Ollie did not know what he expected the man to be like, but his
irritated nerves were prepared to resent and dislike him, whatever he
might prove. He held himself rigidly as he waited, and he could feel
the muscles of his face setting themselves into hard lines.
When the door opened and some one approached him, he rose stiffly and
held out his hand like an automaton.
"How do you do, Mr. Lannithorne? I am Oliver Pickersgill, and I have
come--I have come--"
His voice trailed off into silence, for he had raised his eyes
perfunctorily {37} to Peter Lannithorne's face, and the things printed
there made him forget himself and the speech he had prepared.
Public-domain text, read in full here on John Shaqi.
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