The Preliminaries, and Other StoriesComer, Cornelia A. P. (Cornelia Atwood Pratt)
General
The Preliminaries, and Other Stories
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
Marriage -- Fiction; Mother and child -- Fiction; Short stories
"This is not a good day on which to hold an argument," she went on
with dignity, ignoring her husband's sub-acid comment. "It is too easy
to be uncivil when one is so uncomfortable. But I have been thinking
about these matters for a long time. I have been forming my
resolutions. They are not lightly taken. I was almost ready, in any
event, to tell you that I had decided to renounce the domestic life."
"To--?"
"To renounce the domestic life," repeated Clarissa with emphasis.
"Homes are an anachronism at the end of the nineteenth century,
anyhow. It is time women had the courage of their convictions and
sloughed off an anti-social form of habitat that dates from the Stone
Age."
{137}
"Do you mean you would rather _board?_"
Clarissa stared. "What has boarding to do with it?" she inquired
rather haughtily. "I am talking about the universal problem of woman's
work. One's own individual makeshifts do not affect that. But if it is
ever to be solved, some woman must solve it. Men never will.
Sacrifices will have to be made for it, as for other causes. There are
women who are ready to make them--and I have discovered that I am one
of the women."
Professor Charleroy received this statement in absolute silence.
"As a temporary alleviation," Clarissa went on meditatively, "families
might be associated upon some group-system. The operating expenses of
the individual establishments would be greatly reduced, and the
surplus {138} could be applied to developing the higher life of the
members of the group. It would be quite practicable, even in our
present crude civilization, to arrange such groups. But of course that
would be a temporary expedient. In the redeemed form of social life,
it will not be necessary."
"What ails you, Clarissa? Did that lecture you delivered before the
Saturday Afternoon Club go to your head?"
Clarissa flushed. Her club paper on "After the Home--What?" was a
sensitive subject. She already had been chaffed a good deal about it.
"Of course I know," she said with dignity, "that I am not a genius. I
can't organize. I can't write. I'm not pretending to be in the class
with Ibsen or Olive Schreiner or Sonia Kovalevsky! No, nor with the
American women who are going to work {139} out their ideas. I don't
believe I'd make a good social worker, either. I have n't enough
patience and tenderness. But I _can_ talk. You know I can talk, Paul."
Yes, he knew it. To his cost, he knew it. She had the gift of fluent,
winning speech, speech with an atmosphere, a charm. Uncouth theories
acquired grace on her lips, and plausible theories seemed stronger
than they were. She ironed shirt-waists badly, and the starch stuck to
the irons, but she could make the worse appear the better reason with
deftness and dispatch. Somewhere, somehow, a coal from the sacred fire
had touched her lips. You might be indignant, outraged, at her
theories, but you never refused to listen while she set them forth.
Public-domain text, read in full here on John Shaqi.
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