If only he might take the arm of any one of those bright and careless young men and say to him, "I killed Carfax--thus and thus it was." Oh! the relief! the lifting of the weight! For then--and only then--this pursuing Shadow, so strangely grave, not cruel, but only relentless, would step back. Because that confession--how clearly he knew it!--was the thing that God demanded. So long as he kept silence he resisted the Pursuer--so long as he resisted the Pursuer he must fly, he must escape--first into Silence, then into Sound, then back again to Silence. Somewhere, behind his actual consciousness: there was the knowledge that, did he once yield himself, life would be well, but that yielding meant Confession, Renunciation, Devotion. It was not because it was Carfax that he had killed, but it was because it was God that had spoken to him, that he fled. A fortnight ago he would have been already defeated--the Pursuer should have caught him, bound him, done with him as he would. But now--in that same instant that young Craven had looked at him with challenge in his eyes, in that instant also he, Olva, had looked at Margaret. In that silence, yesterday evening, in the dark drawing-room the two facts had together leapt at him--he loved Margaret Craven, he was suspected by Rupert Craven. Love had thus, terribly, grimly, and yet so wonderfully, sprung into his heart that had never, until now, known its lightest touch. Because of it--because Margaret Craven must never know what he had done--he must fight Craven, must lie and twist and turn. . . . His soul must belong to Margaret Craven, not to this terrible, unperturbed, pursuing God. All night he had fought for control. A very little more and he would rush crying his secret to the whole world; slowly he had summoned calm back to him. Rupert Craven should be defeated; he would, quietly, visit Sannet Wood, face it in its naked fact, stand before it and examine it--and fight down once and for all this imagination of God. Those glances that men flung upon him, that sudden raising of the eyes to his face . . . a man greeted him, another man waved his hand always this same suspicion . . . the great grey shadow that bent and whispered in their ears. He saw, too, another picture. High above him some great power was seated, and down to earth there bent a mighty Hand. Into this Hand very gently, very tenderly, certain figures were drawn--Mrs. Craven, Margaret, Rupert, Bunning, even Lawrence. Olva was dragging with him, into the heart of some terrible climax, these so diverse persons; he could not escape now--other lives were twisted into the fabric of his own. And yet with this certainty of the futility of it, he must still struggle . . . to the very end. On that cold day the world seemed to stand, as men gather about a coursing match, with hard eyes and jeering faces to watch the hopeless flight. . . . 2