Entertainment -- Fiction; Science fiction; Short stories
They passed by one of the receptors and Jason stopped. "Now here's the
machine that picks up an' records what Ah'm thinkin' an' feelin'. The
receptorman wears this gizmo on his head an' cuts in to what Ah'm
feelin' an' he fiddles them dials an' switches an' amplifies weak
signals an' cuts down overpowerin' ones an'--well, Ah don't want to
frazzle you with the technical details; he jus' controls the quality of
the recordin'. He cuts out stuff that don't belong like if Ah should be
kissin' the gal an' somewhere under those passionate thoughts Ah might
wonder when we're goin' to knock off for lunch. Here, slip this headset
on an' Ah'll get Zack to run it so you can feel how it works."
"Don't do anythin' strong," Robina advised.
"Don't worry. Jus' a peaceful bit."
Zack came over at Jason's call and ran the receptor while Jason went
through a few quiet lines with an extra.
"Why it's funny, somehow," Robina said after they removed the headset.
"It jus' didn't seem very good. Ah've felt you better without it,
Jason."
"You didn't get the full projection," Zack explained. "You see, Miss
Rowe, the receptorman has got to be alert. He can't just relax and enjoy
the scene and become the actor like a paying customer. He's got to work,
keeping the perceptics, the feelings coming through in balance. So
there's a circuit, a part of this machine that sort of shields enough of
the operator's mind and keeps it from getting lost in the story while it
runs the receptor and lets the other part live the scene."
"That sounds hard to do," Robina said.
"It takes training and special conditioning but the point is nobody
connected with the production of a feelie ever gets to feel it in all
its original depth as the feeliegoer does. Rushes are run at the lowest
intensity so that the producers and directors can comment and plan
changes as the strips are run. Even with projector intensity set high we
can't totally submerge in the character's identity because that
specially conditioned part of our minds won't submit."
"Well, you're still lucky," Robina said. "Ah'm a Sensitive and Ah'm not
allowed to go to anythin' but silly old musicals an' some comedies. Ah
can't even go to mah brother's feelies what with all the shootin' an'
everythin'."
* * * * *
"EVERYBODY TO THEIR PLACES. RECORDING STARTS IN FIVE MINUTES." The
announcement boomed throughout the vast set and a population of extras
began to animate the streets with purposeful activity.
"Robee, honey, you'll have to go."
"Oh, Jay, can't Ah watch. Ah won't fuss around."
"'Tain't that. Nobody who ain't in the feelie can be in sight of any of
the actors they're recordin'. Why if Ah was to walk down that street as
Jed Carter and suddenly see you standin' over here in them men's
pants--"
"These ain't men's pants!" Robina said indignantly. "These are ladies
slacks."
Public-domain text, read in full here on John Shaqi.
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