It was furnished regardless of expense. Boucher had supervised the paintings that adorned the ceilings, the Maison Grandier had produced the chairs and couches, Versailles had contributed porcelain idols, bonbonnières, and a hundred other knicknacks. Ispahan and Bussorah had contributed the carpets, at a price, through the great Oriental house of Habib, Gobelins the tapestry, Sèvres the china, and the glass manufactory of the Marquis de Louviers the glass. It was for this house, perhaps, rather than for Luciennes, that the Comtesse had refused Fragonard’s exquisite panels, “The Romance of Love and Youth,” a crime against taste which, strangely enough, found no place in the _procès-verbal_. Dubarry, excusing himself for a moment, closed the door, and Rochefort glanced round the room wherein he found himself. Everything was in white or rose; the floor was of parquet, covered here and there with white fur rugs; on the rose-coloured silk of one of the settees lay a fan, as if cast there but a moment ago; and a volume of the poems of Marot, bound in white vellum and stamped with the Dubarry arms and their motto, “_Boutez en avant_” lay upon a chair, as if just put down in haste. A white-enamelled door, half-hidden by rose-coloured silk curtains, faced the door by which he had entered, and from the room beyond, Rochefort, as he paced the floor and examined the objects of art around him, could hear a faint murmur of voices. Five minutes passed, and Rochefort, having glanced at the fan, peeped into the volume of poems, set the huge Chinese mandarin that adorned one of the alcoves wagging his head, and wound up and broken a costly musical-box, turned suddenly upon his heel. The door leading into the next room had opened, and a woman stood before him, young, plump, fair-haired and very pretty, exquisitely dressed. It was the Comtesse Dubarry. Behind her, Jean Dubarry’s gross figure showed, and behind Jean the dark hair of a girl, who was holding a fan to her face as though to conceal her mirth or her features—or both. “Monsieur le Comte de Rochefort, Madame la Comtesse Dubarry,” came Jean’s voice across the Countess’s shoulder, and then the golden voice of the woman, as she made a little curtsey: “Monsieur le Comte de Rochefort. Why, I know him!” Rochefort bowed low. He had met Madame Dubarry at Versailles—that is to say, he had made his bow to her with the thousands of others who thronged the great halls, but he had never hung about the ante-chambers of her special apartment with the other courtiers. He fancied her recognition held more politeness than truth, but in this he was mistaken. Madame Dubarry knew everybody and everything about them. She had a marvellously retentive and clear memory, and an equally quick mind. An ordinary woman in her position would have been lost in a week. “And though I have had no proof of his friendship before, I know him now to be my friend. Monsieur Rochefort, I thank you.”