The PresentationStacpoole, H. De Vere (Henry De Vere)
History
The Presentation
Stacpoole, H. De Vere (Henry De Vere)
Adventure stories; France -- History -- Louis XV, 1715-1774 -- Fiction; Historical fiction
Rochefort was one of those implacable men who never apologize, even
if they are in the wrong. Camus had been his friend, or, at least, a
very close acquaintance, and he had struck Camus in the face. If Camus
did not choose to wipe out the insult it was no affair of Rochefort’s.
He was ready to fight. He was not angry now with Camus; his attitude
of mind was entirely one of contempt, and he passed on haughtily to
the Hall of Presentations, where he soon found enough to distract his
attention from personal matters.
The Hall of Presentations—vast, lit by a thousand lights—gave to the
eye a picture of magnificence and splendour sufficient to quell even
the most daring imagination. The Escalier des Ambassadeurs had been
thronged, the corridors and the Hall of Mirrors crowded; but here, so
wide was the floor, so lofty the painted ceiling, that the idea “crowd”
vanished, or at least became subordinated to the idea of magnificence.
One would not dream of associating the word “solemnity” with the
word “butterfly”; yet, could one see the congregation of a million
butterflies, variegated and gorgeous, drawn from all quarters of the
earth towards one great festival, the word “solemnity” on the lips of
the gazer might not be out of place.
So, to-night, at Versailles, all these butterflies of the social world
of France—coloured, jewelled, beautiful—filling the vast Salon of
Presentations with a moving picture, brilliant as a painting by Diaz,
all these men and women, individually insignificant, produced by their
setting and congregation that effect of solemnity which Versailles
alone could produce from the frivolous.
That was, in fact, the calculated effect of Versailles; to give the
_fainéant_ the value of the strenuous, the trivial the virtue of the
vital; to give great echoes to the sound of a name, to raise the usher
on the shoulders of the Suisse, the grand master of the ceremonies on
the shoulders of the usher, the noble on the shoulders of the grand
master of the ceremonies, and the King on the shoulders of the noble.
A towering structure, as absurd, when viewed philosophically, as a
pyramid of satin-breeched monkeys, but beautiful, gorgeous, solemn
under the alchemy of Versailles.
The great clock of the Hall of Presentations pointed to ten minutes to
ten. The King had not appeared yet, nor would he do so till the stroke
of the hour.
The presentation was fixed for ten. Rochefort knew everybody, and the
man who knows everybody knows nobody. That was Rochefort’s position
at the Court of Versailles; he belonged to no faction, and so had no
especial enemies—or friends. He did not fear enemies, nor did he
want friends. Outside the Court, in Paris, he had several trusty ones
who would have let themselves be cut in pieces for him; they were
sufficient for him, for it was a maxim of his life that out of all
the people a man knows, he will be lucky if he numbers two who are
disinterested. He did not invent this maxim. Experience had taught it
to him.
Public-domain text, read in full here on John Shaqi.
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