Matzai carried away the breakfast tray, and Richard lighted a cigar.
Matzai returned and stood mute inside the door, awaiting new commands.
Richard pointed through the cigar-smoke to the clock--one of those
soundless, curious creatures of brass and glass and ivory which is wound
but once in four hundred days, and of which the hair-hung pendulum
twists and turns and does not swing.
"In an hour! Eleven o'clock!" said Richard.
At the risk of shaking him in general standing it should be called to
your notice that Richard preceded breakfast with no strong waters.
Richard would drink nothing more generous than coffee, and, speaking in
the sense limited, tobacco was his only vice. Perhaps he stuck to cigars
to retain his hold on earth, and avoid translation before his hour was
ripe.
It was no pale morality that got between Richard and the wine cup. In
another day at college he had emptied many. But early in his twenties,
Richard discovered that he carried his drink uneasily; it gave a Gothic
cant to his spirit, which, under its warm spell, turned warlike. Once,
having sat late at dinner--this was in that seminary town in France
where he attended school--he bestrode a certain iron lion, the same
strange to him and guarding the portals of a public building. Being thus
happily placed, he drew two huge American six-shooters, whereof his
possession was wrapped in mystery even to himself, and blazed vacuously,
yet ferociously, at the moon. Spoken to by the constabulary who came
flying to the spot, Richard replied with acrimony.
"If you interfere with me," remarked Richard on that explosive occasion,
addressing the French constables, "I'll buy your town and burn it." The
last with a splendid disdain of limitations that was congenital.
Exploits similar to the above taught Richard the futility of alcoholic
things, and thereupon he cultivated a Puritan sobriety upon coffee and
tobacco.
Richard cast the half-burned cigar into the fire. Stepping to the
mantel, he took from it a small metal casket, builded to hold jewels.
What should be those gems of price which the metal box protected?
Richard did not strike one as the man to nurse a weakness for barbaric
adornment. A bathrobe is not a costume calculated to teach one the
wearer's fineness. To say best, a bathrobe is but a savage thing. It is
the garb most likely to obscure and set backward even a Walpole or a
Chesterfield in any impression of gentility. In spite of this primitive
regalia, however, Richard gave forth an idea of elevation, and as though
his ancestors in their civilization had long ago climbed above a level
where men put on gold to embellish their worth. What, then, did that
casket of carved bronze contain?
Public-domain text, read in full here on John Shaqi.
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