British Columbia -- Fiction; Man-woman relationships -- Fiction; Revenge -- Fiction; Sawmills -- Fiction
The atmosphere was strange, charged, electric, strained. There were
days when the Tyee Sawyer left them slack, and went easy. Now they
jumped, their eyes were bright, they sweated, got alive, moved like
lightning. Each was an automaton; each a note struck by the Player.
And he played, oh, tilikum, he played!
This was work, tilikum, such as even the Stick Moola hadn't known.
The engines knew it, and the steam gauges told it and the fires, and
the sawdust carriers. Chinamen knew it and shrieked horrid oaths at
each other. The belts knew it and squealed. Scotty knew it and
groaned, for he alone, bar accidents, could stop Ginger's drunken
debauch of labour.
But the men he played on knew it best and almost cheered him when
they got the pace and found it at first so easy. They were all
young, not an old man among them, Ginger White himself was the senior
of them all. They could love and work and fight and play hell, for
they had youth in them. They had to show it to the song and dance of
the Saw, the song and dance of the flying dust. The engines ran
easy, and their muscles played beneath a glistening moist skin as
with open shirts they did what came to their hands. "Go it, you
devils," and "Let her scoot," and "Oh, hell," they said.
They smiled and were happy enough, but as the hum increased and the
great skids got full over against the Pony Saw, you might have seen
Long Mac's smile die down into a good settled seriousness, quite
worth seeing. Long Mac had a way of dreaming as he worked, for he
had a power of thought and was sadly intelligent, but when Ginger
started trying them high, he had no time to think, well as he knew
all things a saw-mill man may and shall know. The skids were piled
high, you shall understand, you greenhorns, and he knew how it would
rejoice Ginger White to see that they would take no more, while
everything the wedgers-off tried to sling on the pile rolled
backwards to the very rollers. That would please White: he would
give a shrug of his shoulders as if to say--
"What a damned loafing lazy lot I've to do with!"
"To hell with Ginger," said Mac. He set his teeth. The lumber flew:
he took risks: for swift running in a Mill means risks. Some of the
lumber was shaky, ring-shakes and wind-shakes were in it, and in some
of the wet-shakes fine white gum. When the saw strikes a shake the
loose pieces work out: some are like to touch the teeth of the saw
and get picked up! What that means is that the helper to the Pony
Saw is shot at by jagged lumps of wood: they come by whizzing like a
horrid bullet. Mac and his man watched and at times Mac lifted his
hand and his helper ducked as the Saw said "Phit, phit," and threw
things at him. It was exciting, it made the blood run fast in his
veins to know that at any moment he might be killed, and be so quiet.
Public-domain text, read in full here on John Shaqi.
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