Coal mines and mining -- Drama; English drama -- 20th century
THE PRICE OF COAL
By Harold Brighouse
Gowans & Gray, Ltd., London
1911
FOREWORD: BY THE DIRECTOR OF THE
SCOTTISH REPERTORY THEATRE
“The Price of Coal” came from a
Manchester author; it was in Lancashire
dialect, but was freely translated into
that of Lanarkshire, before its first
production on Monday, November 15th,
1909. The whole week was foggy, dense,
yellow and stinking, but the audience
(whose scantiness, thanks to the fog,
was unregarded by the players),
enthusiastic outside the Theatre, as
they were within, bruited its
excellence, and the many and urgent
requests for its speedy revival were
complied with.
It has been performed by the Repertory
Company at Carlisle, Edinburgh and
Perth, while a number of performances
have been successfully given by
amateurs.
A. W.
Glasgow, March, 1911.
[EXTRACT FROM THE REPERTORY THEATRE
PROGRAMME November 1909]
THE PRICE OF COAL
A play in one act By Harold Brighouse
Mary Brown, Jack Brown, Ellen Brown,
Polly Walker,
Miss Agnes Bartholomew. Mr. R. B.
Drysdale.
Miss Elspeth Dudgeon. Miss Lola Duncan.
The Scene is laid in a Lanarkshire
Colliery Village.
Modern industrialism has evolved its
special types, and the Lanarkshire
collier is small and wiry. He swings a
pickaxe for hours on end crouched in an
impossibly small space in heated
atmosphere, and physique on the grand
scale is unsuited to such conditions. He
takes tremendous risks as part of his
daily routine. His recreations are, to a
fastidious taste, coarse. He works hard
under ground and plays hard above
ground. Constrained attitude is so much
his second nature that he sits in
perfect comfort on his haunches, in the
pictured pose of the mild Hindoo, his
back to a wall, discussing, amongst
expectoration—a long row of him—,
football, dogs, his last spree and his
next, the police reports, women.
Altogether a most unpleasant person,
this undersized, foul-mouthed, sporting
hewer of coal-until you come to know him
better, to discover his simplicity of
soul, his directness, his matter-of-fact
self-sacrifice, the unconscious heroism
of his life: and to lose sight of his
superficial frailties in your admiration
for his finer qualities.
Public-domain text, read in full here on John Shaqi.
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