City and town life -- Fiction; Staffordshire (England) -- Fiction; Women -- Fiction
Mrs. Maldon feebly murmured, with obvious emotion--
"You can't imagine what a relief it is to me!" Tears shone in her
dark, mild eyes.
"Look ye!" exclaimed the trustee curtly.
He drew from his breast pocket a bank envelope of linen, and then,
glancing at the table, pushed cups and saucers abruptly away to make a
clear space on the white cloth. The newspaper slipped rustling to the
floor on the side near the window. Already his gloves were abominable
in the slop-basin, and now with a single gesture he had destroyed the
symmetry of the set table. Mrs. Maldon with surpassing patience smiled
sweetly, and assured herself that Mr. Batchgrew could not help it. He
was a coarse male creature at large in a room highly feminized. It was
his habit thus to pass through orderly interiors, distributing havoc,
like a rough soldier. You might almost hear a sword clanking in the
scabbard.
"Ten, twenty, thirty, forty, fifty, sixty," he began in his heavily
rolling voice to count out one by one a bundle of notes which he had
taken from the envelope. He generously licked his thick, curved-back
thumb for the separating of the notes, and made each note sharply
click, in the manner of a bank cashier, to prove to himself that it
was not two notes stuck together. "... Five-seventy, five-eighty,
five-ninety, six hundred. These are all tens. Now the fives: Five,
ten, fifteen, twenty, twenty-five." He counted up to three hundred and
sixty-five. "That's nine-sixty-five altogether. The odd sixty-five's
arrear of interest. I'm investing nine hundred again to-morrow, and
th' interest on th' new investment is to start from th' first o' this
month. So instead of being out o'pocket, you'll be in pocket, missis."
The notes lay in two irregular filmy heaps on the table.
Having carefully returned the empty envelope to his pocket, Mr.
Batchgrew sat back, triumphant, and his eye met the delighted yet
disturbed eye of Mrs. Maldon, and then wavered and dodged.
Public-domain text, read in full here on John Shaqi.
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