City and town life -- Fiction; Staffordshire (England) -- Fiction; Women -- Fiction
The exhortation was ill-considered, and Rachel controlled a gesture of
amicable impatience. For she had not paused after closing the drawer;
she was already on her way across the room to the window when Mrs.
Maldon said, "Now the blinds, my dear!" The fact was that Mrs. Maldon
measured the time between the lighting of gas and the drawing down of
blinds by tenths of a second--such was her fear lest in that sinister
interval the whole prying town might magically gather in the street
outside and peer into the secrets of her inculpable existence.
II
When the blinds and curtains had been arranged for privacy, Mrs.
Maldon sighed securely and picked up her crocheting. Rachel rested her
hands on the table, which was laid for a supper for four, and asked in
a firm, frank voice whether there was anything else.
"Because, if not," Rachel added, "I'll just take off my pinafore and
wash my hands."
Mrs. Maldon looked up benevolently and nodded in quick agreement.
It was such apparently trifling gestures, eager and generous, that
endeared the old lady to Rachel, giving her the priceless sensation
of being esteemed and beloved. Her gaze lingered on her aged employer
with affection and with profound respect. Mrs. Maldon made a striking,
tall, slim figure, sitting erect in tight black, with the right side
of her long, prominent nose in the full gaslight and the other heavily
shadowed. Her hair was absolutely black at over seventy; her eyes were
black and glowing, and she could read and do coarse crocheting
without spectacles. All her skin, especially round about the eyes, was
yellowish brown and very deeply wrinkled indeed; a decrepit, senile
skin, which seemed to contradict the youth of her pose and her glance.
The cast of her features was benign. She had passed through desolating
and violent experiences, and then through a long, long period of
withdrawn tranquillity; and from end to end of her life she had
consistently thought the best of all men, refusing to recognize evil
and assuming the existence of good. Every one of the millions of her
kind thoughts had helped to mould the expression of her countenance.
The expression was definite now, fixed, intensely characteristic after
so many decades, and wherever it was seen it gave pleasure and by
its enchantment created goodness and goodwill--even out of their
opposites. Such was the life-work of Mrs. Maldon.
Her eyes embraced the whole room. They did not, as the phrase is,
"beam" approval; for the act of beaming involves a sort of ecstasy,
and Mrs. Maldon was too dignified for ecstasy. But they displayed a
mild and proud contentment as she said--
"I'm sure it's all very nice."
Public-domain text, read in full here on John Shaqi.
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