City and town life -- Fiction; Staffordshire (England) -- Fiction; Women -- Fiction
Then in the noisy blaze of yellow and blue light he went to the window
and with a single fierce wrench he succeeded in pulling the catch into
position. He was proud of his strength. It pleased him to think of the
weakness of women; it pleased him to anticipate the impressed thanks
of the weak women for this exertion of his power on their behalf.
"Have you managed it so soon?" his aunt would exclaim, and he would
answer in a carefully offhand way, "Of course. Why not?"
He was about to descend, but he remembered that he must not leave the
gas at full. With his hand on the tap, he glanced perfunctorily around
the little landing. The door of Mrs. Maldon's bedroom was in front of
him, at right angles to the window. By the door, which was ajar,
stood a cane-seated chair. Underneath the chair he perceived a whitish
package or roll that seemed to be out of place there on the floor. He
stooped and picked it up. And as the paper rustled peculiarly in his
hand, he could feel his heart give a swift bound. He opened the roll.
It consisted of nothing whatever but bank-notes. He listened intently,
with ear cocked and rigid limbs, and he could just catch the soothing
murmur of women's voices in the parlour beneath the reverberating,
solemn pulse of the lobby clock.
IV
Louis Fores had been intoxicated into a condition of poesy. He was
deliciously incapable of any precise thinking; he could not formulate
any theory to account for the startling phenomenon of a roll of
bank-notes loose under a chair on a first-floor landing of his
great-aunt's house; he could not even estimate the value of the
roll--he felt only that it was indefinitely prodigious. But he had the
most sensitive appreciation of the exquisite beauty of those pieces of
paper. They were not merely beautiful because they stood for delight
and indulgence, raising lovely visions of hosiers' and jewellers'
shops and the night interiors of clubs and restaurants--raising one
clear vision of himself clasping a watch-bracelet on the soft arm of
Rachel who had so excitingly smiled upon him a moment ago. They were
beautiful in themselves; the aspect and very texture of them were
beautiful--surpassing pictures and fine scenery. They were the most
poetic things in the world. They transfigured the narrow, gaslit
first-floor landing of his great-aunt's house into a secret and
unearthly grove of bliss. He was drunk with quivering emotion.
Public-domain text, read in full here on John Shaqi.
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