The Price of the Prairie: A Story of KansasMcCarter, Margaret Hill
General
The Price of the Prairie: A Story of Kansas
McCarter, Margaret Hill
Kansas -- Fiction; Western stories
We never thought to run to the bluff's edge and clamber down the
shelving, precipitous sides. Here was the only natural hiding-place, but
like children we all ran the other way. When we had come in again with
the report of "No enemy in sight," and had shut the door against the
rain, I happened to glance out of the east window. Climbing up to the
street from the cliff I saw the lithe form of a young Indian. He came
straight to the house and stood by the east window where he could see
inside. Then with quick, springing step he walked down the slope. I
crossed to the west window and watched him shutting out that red bar of
light now and then, till he melted into the shadows.
Meanwhile the children were chattering like sparrows and had not noticed
me.
"Would you know it, Marjie, if you thaw it again?" lisped Bud Anderson.
"Oh, yes! His hair was straight across like this." Marjie drew one hand
across her curl-shaded forehead, to show how square the black hair grew
about the face she had seen.
"That's nothin'," said Bill Mead. "They change scalps every time they
catch a white man,--just take their own off an' put his on, an' it
grows. There's lots of men in Kansas look like white men's just Injuns
growed a white scalp on 'em."
"Really, is there?" asked Mary Gentry credulously.
"Sure, I've seen 'em," went on Bill with a boy's love of that kind of
lying.
"Wouldn't a Injun look funny with my thcalp?" Bud Anderson put in. "I'll
bet I'm jutht a Injun mythelf."
"Then you've got some little baby girl's scalp," grinned Jim Conlow.
"'Tain't no 'pothum'th, anyhow," rejoined Bud; and we laughed our fears
away.
That evening Aunt Candace sent me home with Marjie to take some fresh
doughnuts to Mrs. Whately. I can see the little girl now as we splashed
sturdily down Cliff Street through the wet gloom, her face like a white
blossom in the shadowy twilight, her crimson jacket open at the throat,
and the soft little worsted scarf about her damp fluffy curls making a
glow of rich coloring in the dim light.
"You'll never let the Indians get you, will you, Phil?" she asked, when
we stood a moment by the bushes just at the steepest bend of the street.
I stood up proudly. I was growing very fast in this gracious climate.
"The finest-built boy in Springvale," the men called me. "No, Marjie.
The Indians won't get me, nor anybody else I don't want them to have."
She drew close to me, and I caught her hand in mine a moment. Then,
boylike, I flipped her heavy braid of hair over her shoulder and shook
the wettest bushes till their drops scattered in a shower about her.
Something, a dog we thought, suddenly slid out from the bush and down
the cliff-side. When I started home after delivering the cakes, Marjie
held the candle at the door to light my way. As I turned at the edge of
the candle's rays to wave my hand, I saw her framed in the doorway.
Would that some artist could paint that picture for me now!
Public-domain text, read in full here on John Shaqi.
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