"And of course you have eaten nothing since luncheon. Just like him—"
turning to Mr. Dugdale. "Colin never can do anything in moderation.
This fad of his will undo the whole good of his time abroad. It is
ridiculous."
"Fad!" repeated Mr. Dugdale, with meaning.
Colin fenced quietly, beating off the attack with a half languid but
graceful good-humour, which Phyllys thought charming. Then attention
was distracted, Mr. Dugdale falling into a discussion with Mrs. Keith
on some trivial point of difference. Colin moved to a chair near
Phyllys, and she had for the first time a distinct view.
Unlike Giles, certainly. He looked very tired, and there were purple
shades below the eyes, which had a fixed inwardness of expression. A
hand was lifted between them and the nearer lamp.
"So Giles stole a march upon us, making your acquaintance in the north."
"If he had not, I should not be here now." Somehow she did not at
once feel at home with Colin as with Giles. He awakened a shy side of
her, seldom visible. Giles from the first had drawn her out. Colin
unconsciously repressed her. It might have been his ease of bearing,
his calm aloofness. Giles possessed a cultivated ease; but Colin's was
an intrinsic ease, which perhaps nothing could disturb. In Giles it was
an acquired possession; in Colin it seemed to be a part of himself.
"Ah, then we must be grateful to him."
"I think I am." She tried to speak naturally. "Pity he cannot get home
yet."
"Yes; I'm sorry." A pause, and Phyllys pulled herself together. The
feeling of bashfulness was absurd. "Mrs. Keith says you are fond of
modelling."
A shade of interest dawned. "Do you know anything of it?"
"My father used to model in clay."
"Then you understand the grip it takes upon one."
"Yes; I used to see that. He was a busy clergyman, and had very little
spare time. But when he could get to it, he was happy. I was only ten
years old when he died; still one doesn't forget."
"Perhaps you will take a look at my studio to-morrow."
"May I? That will be delightful. Are you doing statues?"
"Busts chiefly. I may take to statuettes by-and-by. Portrait-sculpture
seems to be my line."
"My father did only small things. I used to stand and watch him, and
the clay looked so tempting! I longed to try. They were afraid it might
make me rheumatic."
"No uncommon result. So far I have been lucky."
"Have you worked hard to-day?" she asked, noting that he talked
mechanically, like a machine wound up.
"Rather."
"Till after dinner?"
"I gave in before that."
"You look as if—" She hesitated, doubtful how far she might venture.
The doubt had not assailed her with Giles, yet of the two, Colin was
the more gentle. He responded to what she had not said.
"One can't stick to work without paying for it; but the game is worth
the candle."
"I wonder if it is!"
The heavy blue eyes, still with that curious oppressed "inward" look,
met hers, but could not gaze. "You are a trifle too keen-sighted. Don't
betray me, please."
Public-domain text, read in full here on John Shaqi.
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