From that time Eve Carfax came daily to Fernhill, and made pictures of
roses and flowering shrubs, rock walls and lily pools, formal borders
and wild corners where art had abetted Nature. Canterton had given her a
list of the subjects he needed, a kind of floral calendar for her
guidance. And from painting the mere portraits of plants and flowers she
was lured on towards a desire to peer into the intricate inner life of
all this world of growth and colour. Canterton lent her books. She began
to read hard in the evenings, and to spend additional hours in the
Fernhill nurseries, wandering about with a catalogue, learning the names
and habits of plants and trees. She was absorbed into the life of the
place. The spirit of thoroughness that dominated everything appealed to
her very forcibly. She, too, wanted to be thorough, to know the
life-stories of the flowers she painted, to be able to say, “Such and
such flowers will give such and such combinations of colours at a
certain particular time.” The great gardens were full of
individualities, moods, whims, aspirations. She began to understand
Canterton’s immense sympathy with everything that grew, for sympathy was
essential in such a world as this. Plants had to be watched, studied,
encouraged, humoured, protected, understood. And the more she learnt,
the more fascinated she became, understanding how a man or a woman might
love all these growing things as one loves children.
She was very happy. And though absorbed into the life of the place, she
kept enough individuality to be able to stand apart and store personal
impressions. Life moved before her as she sat in some corner painting.
She began to know something of Lavender, something of the men, something
of the skill and foresight needed in the production and marketing of
such vital merchandise.
One of the first things that Eve discovered was the extent of
Canterton’s popularity. He was a big man with big views. He treated his
men generously, but never overlooked either impertinence or slackness.
“Mr. Canterton don’t stand no nonsense,” was a saying that rallied the
men who uttered it. They were proud of him, proud of the great
nurseries, proud of his work. The Fernhill men had their cricket field,
their club house, their own gardens. Canterton financed these concerns,
but left the management to the men’s committee. He never interfered with
them outside their working hours, never preached, never condescended.
The respect they bore him was phenomenal. He was a big figure in all
their lives—a figure that counted.
Public-domain text, read in full here on John Shaqi.
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