Canterton stretched out his legs, and stared at Guinevere over the bowl
of his empty pipe. His massive head, with its steady, deep-set,
meditative eyes, looked the colour of bronze under the shade of the
umbrella. It was a “peasant’s” head, calm, sun-tanned, kind, with a
simple profundity in its expression, and a quiet imaginativeness about
the mouth. His brown hair, grizzled at the temples, had a slight curl to
it; his teeth were perfect; his hands big, brown, yet finely formed. He
was the very antithesis of the city worker, having much of the large
purposefulness of Nature in him, never moving jerkily, or chattering, or
letting his eyes snap restlessly at motes in the sunlight. A John Ridd
of a man, yet much less of a simpleton, he had a dry, kind sparkle of
humour in him that delighted children and made loud talkers feel uneasy.
Sentimental people said that his eyes were sad, though they would have
been nearer the truth if they had said that he was lonely.
Canterton filled his pipe, keeping a humorously expectant eye fixed on
one particular opening in the yew hedge. There are people and things
whose arrival may be counted on as inevitable, and Canterton was in the
act of striking a match when he saw his wife enter the rosery. She came
through the yew hedge with that characteristic scurry of hers suggesting
the indefatigable woman of affairs in a hurry, her chin poking forward,
the curve of her neck exaggerating the intrusive stoop of her shoulders.
Gertrude Canterton was dressed for some big function, and she had chosen
primrose, the very colour that she should not have worn. Her large black
hat with its sable feather sat just at the wrong angle; wisps of hair
straggled at the back of her neck, and one of her gloves was split
between the fingers. Her dress hinted at a certain fussy earnestness, an
impatience of patience before mirrors, or perhaps an unconscious
contempt for such reflectors of trifles. She was tall, narrow across the
shoulders, and distinguished by a pallid strenuousness that was
absolutely lacking in any spirit of repose. Her face was too big, and
colourless, and the nose too broad and inquisitive about the nostrils.
It was a face that seemed to grow larger and larger when she had talked
anyone into a corner, looming up, white, and earnest and egotistical
through a fog of words, the chin poking forward, the pale eyes set in a
stare. She had a queer habit of wriggling her shoulders when she entered
a room full of people, a trick that seemed strange in a woman of so much
self-conceit.
“James! Oh, there you are! You must know how busy I am!”
Canterton lit his pipe.
“You are the busiest woman I know.”
“It’s a quarter to three, and I have to open the fête at three. And the
men are not up at the house. I told Lavender——”
“Yes, no doubt. But we happen to be very busy here.”
His wife elevated her eyebrows.
“James, do you mean to say——”
“The men are not going.”
“But I told Lavender——”
Public-domain text, read in full here on John Shaqi.
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