The palace of the Marquis d'Alorna was situated near the centre of Lisbon, on the rise of a hill, at a short distance from the river; and although the approach to it was through what we should now consider narrow, dirty streets, it was an edifice of some consideration, constructed of fine hewn stone, with a handsome entrance, through which a carriage might drive to the foot of a broad flight of steps, leading to that part of the mansion inhabited by the family, the lower part being appropriated for stables, and for the use of the inferior order of domestics, and where also the family coaches stood in conspicuous array. But it is to the upper story of the building, where, in Portugal, are frequently situated the most agreeable rooms of the house, that we would introduce our readers. It was a large apartment, a broad balcony in front, with a heavy, highly-carved balustrade of stone-work, from which was seen a fine view of the Tagus, blue and sparkling in the bright sunshine, and covered with white dancing sails, wending their course in every direction. The interior decorations of the room were rich, but not according to the most approved taste of the present day. Over the windows hung curtains of yellow damask, which cast a glare anything but becoming to the complexions of the inmates, and the ceiling was decorated with a fresco painting of some allegorical subject, most difficult to determine. The walls were covered with tapestry, representing a scene in Arcadia, it might be presumed, from a number of fair ladies figuring in the landscape in the fanciful costume of shepherdesses, with crooks in their hands adorned with flowers and ribbons, who ought to have been tending several flocks of sheep scattered far and wide; but their attention was diverted from these pastoral duties by listening to the passionate addresses of sundry youths, in bag wigs and swords, who were kneeling at their feet in all the most approved attitudes of devotion. A surprising number of waterfalls, temples, bridges, and romantic cottages, fit abodes for love, peace, contentment, and little children, filled up the interesting picture. In a small alcove on one side was an altar, on which stood an image of the Virgin and Child; the mother dressed in robes of blue and gold stripes, trimmed with pink, and a crown of silver and precious stones on her head, the whole figure surrounded by bright wreaths of artificial flowers; but it appeared a pity, since so much expense had been lavished on her decoration, that the same pious hand had not afforded even the slightest garment to shelter from the inclemency of the weather the little smiling cherub in her arms. The floor was of highly polished chestnut, not covered by any carpet, except a narrow strip below a row of high-backed chairs, of dark carved mahogany, placed against the walls. Several doors opened from the room, affording a long vista beyond, of other apartments, to the opposite windows of the