"You can choose whatever you like, dearies," said the queen. And
that--according to Susan--was the best of all.
Next came the dancing; the Apostles remembered about that
co-operatively. They had donned pants of pink and yellow,
respectively, with shirts of royal purple and striked stockings, when
the pipers began to play. James said it sounded like soldiers
marching; John was certain that it was more like a circus; but I am
inclined to believe that they played "The Music of Glad Memories" and
"What-is-Sure-to-Come-True," for those are the two popular airs in
Tir-na-n'Og.
Away and away must have danced pairs of little feet that had never
danced before, and pairs of old feet that had long ago forgotten how;
and millions of faery feet, for no one can dance half as joyously as
when faeries dance with them. And I have heard it said that the pipers
there can play sadness into gladness, and tears into laughter, and old
age young again; and that those who have ever danced to the music of
faery pipes never really grow heavy-hearted again.
Needless to say, the Apostles danced together, and Peter danced with
Toby; and it must have been the maddest, merriest dance, for they never
told about it afterward without bursting into peal after peal of
laughter. Truth to tell, the Apostles' patch of fancy ended right
there--all raveling out into smiles and squirms of delight.
Another memory of Sandy's adjoins that of the Apostles'; and he told it
with great precision and regard for the truth.
Ever since crossing the River of Make-Believe Sandy had been able to
think of nothing but the story Bridget had told--the very last thing in
Ward C--and ever since he had left the leprechaun's bush behind he had
been wondering and scheming how he could get rid of his hump. He was
the only person in Tir-na-n'Og that night who did not dance.
Unnoticed, he climbed into a corner of the throne--among the sleeping
baby faeries--and there he thought hard. As he listened to the pipers'
music he shook his head mournfully.
"A canna make music mair bonny nor that--a canna," he said; and he set
about searching through the scraps of his memory for what music he did
know. There were the hymns they sang every Sunday at Saint Margaret's;
but he somewhat doubted their appropriateness here. Then there were
the songs his mother had sung to him home in Aberdeen. Long ago the
words had been forgotten; but often and often he had hummed the music
of them over to himself when he was going to sleep--it was good music
for that. One of the airs popped into his mind that very minute; it
was a Jacobite song about "Charlie," and he started to hum it softly.
Close on the humming came an idea--a braw one; it made him sit up in
the corner of the throne and clap his hands, while his toes wriggled
exultantly inside his faery shoes.
"A can do't--a can!" He shouted it so loud that the baby faeries woke
up and asked what he was going to do, and gathered about him to listen
the better.
Public-domain text, read in full here on John Shaqi.
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