It was not an abode of luxury, the tenement; they had to feel their way up the stairs in almost pitch darkness. Most of the doors were shut, but one on the second floor was ajar. Through the opening John had a glimpse of a number of women sitting on up-turned boxes. The floor was covered with little heaps of linen. All the women were sewing. Stumbling in the darkness, John almost fell against the door. None of the women looked up at the noise. In Broster Street time was evidently money. On the top floor Pugsy halted before the open door of an empty room. The architect in this case had apparently given rein to a passion for originality, for he had constructed the apartment without a window of any sort whatsoever. The entire stock of air used by the occupants came through a small opening over the door. It was a warm day, and John recoiled hastily. "Is this the kid's room?" he said. "I guess the corridor's good enough for me to wait in. What the owner of this place wants," he went on reflectively, "is scalping. Well, we'll do it in the paper if we can't in any other way. Is this your kid?" A small boy had appeared. He seemed surprised to see visitors. Pugsy undertook to do the honors. Pugsy, as interpreter, was energetic, but not wholly successful. He appeared to have a fixed idea that the Italian language was one easily mastered by the simple method of saying "da" instead of "the," and adding a final "a" to any word that seemed to him to need one. "Say, kid," he began, "has da rent-a-man come yet-a?" The black eyes of the wop kid clouded. He gesticulated, and said something in his native language. "He hasn't got next," reported Master Maloney. "He can't git on to me curves. Dese wop kids is all bone-heads. Say, kid, look-a here." He walked to the door, rapped on it smartly, and, assuming a look of extreme ferocity, stretched out his hand and thundered: "Unbelt-a! Slip-a me da stuff!" The wop kid's puzzlement in the face of this address became pathetic. "This," said John, deeply interested, "is getting exciting. Don't give in, Pugsy. I guess the trouble is that your too perfect Italian accent is making the kid homesick." Master Maloney made a gesture of disgust. "I'm t'roo. Dese Dagoes makes me tired. Dey don't know enough to go upstairs to take de elevated. Beat it, you mutt," he observed with moody displeasure, accompanying the words with a gesture which conveyed its own meaning. The wop kid, plainly glad to get away, slipped down the stairs like a shadow. Pugsy shrugged his shoulders. "Boss," he said resignedly, "it's up to youse." John reflected. "It's all right," he said. "Of course, if the collector had been here, the kid wouldn't be. All I've got to do is to wait." He peered over the banisters into the darkness below.