THE PRINCESS ALINE
BY
RICHARD HARDING DAVIS
THE PRINCESS ALINE
I
H. R. H. the Princess Aline of Hohenwald came into the life of Morton
Carlton--or "Morney" Carlton, as men called him--of New York city, when
that young gentleman's affairs and affections were best suited to
receive her. Had she made her appearance three years sooner or three
years later, it is quite probable that she would have passed on out of
his life with no more recognition from him than would have been
expressed in a look of admiring curiosity.
But coming when she did, when his time and heart were both unoccupied,
she had an influence upon young Mr. Carlton which led him into doing
several wise and many foolish things, and which remained with him
always. Carlton had reached a point in his life, and very early in his
life, when he could afford to sit at ease and look back with modest
satisfaction to what he had forced himself to do, and forward with
pleasurable anticipations to whatsoever he might choose to do in the
future. The world had appreciated what he had done, and had put much
to his credit, and he was prepared to draw upon this grandly.
At the age of twenty he had found himself his own master, with
excellent family connections, but with no family, his only relative
being a bachelor uncle, who looked at life from the point of view of
the Union Club's windows, and who objected to his nephew's leaving
Harvard to take up the study of art in Paris. In that city (where at
Julian's he was nicknamed the junior Carlton, for the obvious reason
that he was the older of the two Carltons in the class, and because he
was well dressed) he had shown himself a harder worker than others who
were less careful of their appearance and of their manners. His work,
of which he did not talk, and his ambitions, of which he also did not
talk, bore fruit early, and at twenty-six he had become a
portrait-painter of international reputation. Then the French
government purchased one of his paintings at an absurdly small figure,
and placed it in the Luxembourg, from whence it would in time depart to
be buried in the hall of some provincial city; and American
millionaires, and English Lord Mayors, members of Parliament, and
members of the Institute, masters of hounds in pink coats, and
ambassadors in gold lace, and beautiful women of all nationalities and
conditions sat before his easel. And so when he returned to New York
he was welcomed with an enthusiasm which showed that his countrymen had
feared that the artistic atmosphere of the Old World had stolen him
from them forever. He was particularly silent, even at this date,
about his work, and listened to what others had to say of it with much
awe, not unmixed with some amusement, that it should be he who was
capable of producing anything worthy of such praise. We have been told
what the mother duck felt when her ugly duckling turned into a swan,
but we have never considered how much the ugly duckling must have
marvelled also.
Public-domain text, read in full here on John Shaqi.
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