Children's stories; Fairy tales; Fantasy literature
"Yes, you've seen me," she said. "But mind," she continued, "I don't
want you to say anything--only to hold your tongue, and not seem to side
with them."
"That will be easy," said Curdie, "now that I've seen you with my very
own eyes, ma'am."
"Not so easy as you think, perhaps," said the old lady, with another
curious smile. "I want to be your friend," she added after a little
pause, "but I don't quite know yet whether you will let me."
"Indeed I will, ma'am," said Curdie.
"That is for me to find out," she rejoined, with yet another strange
smile. "In the meantime all I can say is, come to me again when you find
yourself in any trouble, and I will see what I can do for you--only the
_canning_ depends on yourself. I am greatly pleased with you for
bringing me my pigeon, doing your best to set right what you had set
wrong."
As she spoke she held out her hand to him, and when he took it she made
use of his to help herself up from her stool, and--when or how it came
about, Curdie could not tell--the same instant she stood before him a
tall, strong woman--plainly very old, but as grand as she was old, and
only _rather_ severe-looking. Every trace of the decrepitude and
witheredness she showed as she hovered like a film about her wheel, had
vanished. Her hair was very white, but it hung about her head in great
plenty, and shone like silver in the moonlight. Straight as a pillar she
stood before the astonished boy, and the wounded bird had now spread out
both its wings across her bosom, like some great mystical ornament of
frosted silver.
"Oh, now I can never forget you!" cried Curdie. "I see now what you
really are!"
"Did I not tell you the truth when I sat at my wheel?" said the old
lady.
[Illustration: "_The wounded bird now spread out both its wings across
her bosom._"]
"Yes, ma'am," answered Curdie.
"I can do no more than tell you the truth now," she rejoined. "It is a
bad thing indeed to forget one who has told us the truth. Now go."
Curdie obeyed, and took a few steps towards the door.
Public-domain text, read in full here on John Shaqi.
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