Children's stories; Fairy tales; Fantasy literature
And with that the darkness of its complexion melted away, and down from
the face dawned out the form that belonged to it, until at last Curdie
and his father beheld a lady, "beautiful exceedingly," dressed in
something pale green, like velvet, over which her hair fell in cataracts
of a rich golden colour. It looked as if it were pouring down from her
head, and, like the water of the Dustbrook, vanishing in a golden vapour
ere it reached the floor. It came flowing from under the edge of a
coronet of gold, set with alternated pearls and emeralds. In front of
the crown was a great emerald, which looked somehow as if out of it had
come the light they had followed. There was no ornament else about her,
except on her slippers, which were one mass of gleaming emeralds, of
various shades of green, all mingling lovely like the waving of grass in
the wind and sun. She looked about five-and-twenty years old. And for
all the difference, Curdie knew somehow or other, he could not have told
how, that the face before him was that of the old princess, Irene's
great-great-grandmother.
By this time all around them had grown light, and now first they could
see where they were. They stood in a great splendid cavern, which Curdie
recognised as that in which the goblins held their state assemblies.
But, strange to tell, the light by which they saw came streaming,
sparkling, and shooting from stones of many colours in the sides and
roof and floor of the cavern--stones of all the colours of the rainbow,
and many more. It was a glorious sight--the whole rugged place flashing
with colours--in one spot a great light of deep carbuncular red, in
another of sapphirine blue, in another of topaz-yellow; while here and
there were groups of stones of all hues and sizes, and again nebulous
spaces of thousands of tiniest spots of brilliancy of every conceivable
shade. Sometimes the colours ran together, and made a little river or
lake of lambent interfusing and changing tints, which, by their
variegation, seemed to imitate the flowing of water, or waves made by
the wind. Curdie would have gazed entranced, but that all the beauty of
the cavern, yes, of all he knew of the whole creation, seemed gathered
in one centre of harmony and loveliness in the person of the ancient
lady who stood before him in the very summer of beauty and strength.
Turning from the first glance at the circumfulgent splendour, it
dwindled into nothing as he looked again at the lady. Nothing flashed or
glowed or shone about her, and yet it was with a prevision of the truth
that he said,--
"I was here once before, ma'am."
"I know that, Curdie," she replied.
"The place was full of torches, and the walls gleamed, but nothing as
they do now, and there is no light in the place."
"You want to know where the light comes from?" she said, smiling.
"Yes, ma'am."
"Then see: I will go out of the cavern. Do not be afraid, but watch."
Public-domain text, read in full here on John Shaqi.
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