London (England) -- Social life and customs -- 19th century -- Fiction
He had no money to pay for places at a theatre in the Strand; Millicent
Henning having made it clear to him that on this occasion she expected
something better than the pit. “Should you like the royal box, or a
couple of stalls at ten shillings apiece?” he asked of her, with a
frankness of irony which, with this young lady, fortunately, it was
perfectly possible to practise. She had answered that she would content
herself with a seat in the second balcony, in the very front; and as
such a position involved an expenditure which he was still unable to
meet, he waited one night upon Mr Vetch, to whom he had already, more
than once, had recourse in moments of pecuniary embarrassment. His
relations with the caustic fiddler were peculiar; they were much better
in fact than they were in theory. Mr Vetch had let him know—long before
this, and with the purpose of covering Pinnie to the utmost—the part he
had played when the question of the child’s being taken to Mrs
Bowerbank’s institution was so distressingly presented; and Hyacinth,
in the face of this information, had inquired, with some sublimity,
what the devil the fiddler had to do with his private affairs.
Anastasius Vetch had replied that it was not as an affair of his, but
as an affair of Pinnie’s, that he had considered the matter; and
Hyacinth afterwards had let the question drop, though he had never been
formally reconciled to his officious neighbour. Of course his feeling
about him had been immensely modified by the trouble Mr Vetch had taken
to get him a place with old Crookenden; and at the period of which I
write it had long been familiar to him that the fiddler didn’t care a
straw what he thought of his advice at the famous crisis, and
entertained himself with watching the career of a youth put together of
such queer pieces. It was impossible to Hyacinth not to perceive that
the old man’s interest was kindly; and to-day, at any rate, our hero
would have declared that nothing could have made up to him for not
knowing the truth, horrible as the truth might be. His miserable
mother’s embrace seemed to furnish him with an inexhaustible fund of
motive, and under the circumstances that was a benefit. What he chiefly
objected to in Mr Vetch was a certain air of still regarding him as
extremely juvenile; he would have got on with him much better if the
fiddler had consented to recognise the degree in which he was already a
man of the world. Vetch knew an immense deal about society, and he
seemed to know the more because he never swaggered—it was only little
by little you discovered it; but that was no reason for his looking as
if his chief entertainment resided in a private, diverting commentary
on the conversation of his young friend. Hyacinth felt that he himself
gave considerable evidence of liking his fellow-resident in Lomax Place
when he asked him to lend him half-a-crown. Somehow, circumstances, of
old, had tied them together, and though this partly vexed the little
Public-domain text, read in full here on John Shaqi.
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