London (England) -- Social life and customs -- 19th century -- Fiction
“Laws, I hope _she_ ain’t one of the aristocracy!” Millicent exclaimed,
with apparent irrelevance; and following the direction of her eyes
Hyacinth saw that the chair his mysterious acquaintance had quitted in
the stage-box was now occupied by a lady hitherto invisible—not the one
who had given them a glimpse of her shoulder and bare arm. This was an
ancient personage, muffled in a voluminous, crumpled white shawl—a
stout, odd, foreign-looking woman, whose head apparently was surmounted
with a light-coloured wig. She had a placid, patient air and a round,
wrinkled face, in which, however, a small, bright eye moved quickly
enough. Her rather soiled white gloves were too large for her, and
round her head, horizontally arranged, as if to keep her wig in its
place, she wore a narrow band of tinsel, decorated, in the middle of
the forehead, by a jewel which the rest of her appearance would lead
the spectator to suppose false. “Is the old woman his mother? Where did
she dig up her clothes? They look as if she had hired them for the
evening. Does _she_ come to your wonderful club, too? I dare say she
cuts it fine, don’t she?” Millicent went on; and when Hyacinth
suggested, sportively, that the old lady might be, not the gentleman’s
mother, but his wife or his ‘fancy’, she declared that in that case, if
he should come to see them, she wasn’t afraid. No wonder he wanted to
get out of _that_ box! The woman in the wig was sitting there on
purpose to look at them, but she couldn’t say she was particularly
honoured by the notice of such an old guy. Hyacinth pretended that he
liked her appearance and thought her very handsome; he offered to bet
another paper of peppermints that if they could find out she would be
some tremendous old dowager, some one with a handle to her name. To
this Millicent replied, with an air of experience, that she had never
thought the greatest beauty was in the upper class; and her companion
could see that she was covertly looking over her shoulder to watch for
his political friend and that she would be disappointed if he did not
come. This idea did not make Hyacinth jealous, for his mind was
occupied with another side of the business; and if he offered sportive
suggestions it was because he was really excited, dazzled, by an
incident of which the reader will have failed as yet to perceive the
larger relations. What moved him was not the pleasure of being
patronised by a rich man; it was simply the prospect of new
experience—a sensation for which he was always ready to exchange any
present boon; and he was convinced that if the gentleman with whom he
had conversed in a small occult back-room in Bloomsbury as Captain
Godfrey Sholto—the Captain had given him his card—had more positively
than in Millicent’s imagination come out of the stage-box to see him,
he would bring with him rare influences. This nervous presentiment,
lighting on our young man, was so keen that it constituted almost a
Public-domain text, read in full here on John Shaqi.
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