London (England) -- Social life and customs -- 19th century -- Fiction
preparation; therefore, when at the end of a few minutes he became
aware that Millicent, with her head turned (her face was in his
direction), was taking the measure of some one who had come in behind
them, he felt that fate was doing for him, by way of a change, as much
as could be expected. He got up in his place, but not too soon to see
that Captain Sholto had been standing there a moment in contemplation
of Millicent, and that this young lady had performed with deliberation
the ceremony of taking his measure. The Captain had his hands in his
pockets, and wore a crush-hat, pushed a good deal backward. He laughed
at the young couple in the balcony in the friendliest way, as if he had
known them both for years, and Millicent could see, on a nearer view,
that he was a fine, distinguished, easy, genial gentleman, at least six
feet high, in spite of a habit, or an affectation, of carrying himself
in a casual, relaxed, familiar manner. Hyacinth felt a little, after
the first moment, as if he were treating them rather too much as a pair
of children whom he had stolen upon, to startle; but this impression
was speedily removed by the air with which he said, laying his hand on
our hero’s shoulder as he stood in the little passage at the end of the
bench where the holders of Mr Vetch’s order occupied the first seats,
“My dear fellow, I really thought I must come round and speak to you.
My spirits are all gone with this brute of a play. And those boxes are
fearfully stuffy, you know,” he added, as if Hyacinth had had at least
an equal experience of that part of the theatre.
“It’s hot here, too,” Millicent’s companion murmured. He had suddenly
become much more conscious of the high temperature, of his proximity to
the fierce chandelier, and he added that the plot of the play certainly
was unnatural, though he thought the piece rather well acted.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account