London (England) -- Social life and customs -- 19th century -- Fiction
“Oh, it’s the good old stodgy British tradition. This is the only place
where you find it still, and even here it can’t last much longer; it
can’t survive old Baskerville and Mrs Ruffler. ’Gad, how old they are!
I remember her, long past her prime, when I used to be taken to the
play, as a boy, in the Christmas holidays. Between them, they must be
something like a hundred and eighty, eh? I believe one is supposed to
cry a good deal about the middle,” Captain Sholto continued, in the
same friendly, familiar, encouraging way, addressing himself to
Millicent, upon whom, indeed, his eyes had rested almost
uninterruptedly from the first. She sustained his glance with
composure, but with just enough of an expression of reserve to intimate
(what was perfectly true) that she was not in the habit of conversing
with gentlemen with whom she was not acquainted. She turned away her
face at this (she had already given the visitor the benefit of a good
deal of it) and left him, as in the little passage he leaned against
the parapet of the balcony with his back to the stage, confronted with
Hyacinth, who was now wondering, with rather more vivid a sense of the
relations of things, what he had come for. He wanted to do him honour,
in return for his civility, but he did not know what one could talk
about, at such short notice, to a person whom he immediately perceived
to be, in a most extensive, a really transcendent sense of the term, a
man of the world. He instantly saw Captain Sholto did not take the play
seriously, so that he felt himself warned off that topic, on which,
otherwise, he might have had much to say. On the other hand he could
not, in the presence of a third person, allude to the matters they had
discussed at the ‘Sun and Moon’; nor could he suppose his visitor would
expect this, though indeed he impressed him as a man of humours and
whims, who was amusing himself with everything, including esoteric
socialism and a little bookbinder who had so much more of the gentleman
about him than one would expect. Captain Sholto may have been a little
embarrassed, now that he was completely launched in his attempt at
fraternisation, especially after failing to elicit a smile from
Millicent’s respectability; but he left to Hyacinth the burden of no
initiative, and went on to say that it was just this prospect of the
dying-out of the old British tradition that had brought him to-night.
He was with a friend, a lady who had lived much abroad, who had never
seen anything of the kind, and who liked everything that was
characteristic. “You know the foreign school of acting is a very
different affair,” he said, again to Millicent, who this time replied,
“Oh yes, of course,” and considering afresh the old lady in the box,
reflected that she looked as if there were nothing in the world that
she, at least, hadn’t seen.
Public-domain text, read in full here on John Shaqi.
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