London (England) -- Social life and customs -- 19th century -- Fiction
She often found them immensely clever.
Hyacinth smiled at her, and said, “Ah, when you get to the lowest
depths of poverty, they may become very brilliant again. But I’m afraid
I haven’t gone so far down. In spite of my opportunities, I don’t know
many absolute paupers.”
“I know a great many.” Lady Aurora hesitated, as if she didn’t like to
boast, and then she added, “I dare say I know more than any one.” There
was something touching, beautiful, to Hyacinth, in this simple,
diffident admission; it confirmed his impression that Lady Aurora was
in some mysterious, incongruous, and even slightly ludicrous manner a
heroine, a creature of a noble ideal. She perhaps guessed that he was
indulging in reflections that might be favourable to her, for she said,
precipitately, the next minute, as if there were nothing she dreaded so
much as the danger of a compliment, “I think your aunt’s so very
attractive—and I’m sure Rose Muniment thinks so.” No sooner had she
spoken than she blushed again; it appeared to have occurred to her that
he might suppose she wished to contradict him by presenting this case
of his aunt as a proof that the baser sort, even in a prosaic upper
layer, were not without redeeming points. There was no reason why she
should not have had this intention; so without sparing her, Hyacinth
replied—
“You mean that she’s an exception to what I was saying?”
Lady Aurora stammered a little; then, at last, as if, since he wouldn’t
spare her, she wouldn’t spare him, either, “Yes, and you’re an
exception, too; you’ll not make me believe you’re wanting in
intelligence. The Muniments don’t think so,” she added.
“No more do I myself; but that doesn’t prove that exceptions are not
frequent. I have blood in my veins that is not the blood of the
people.”
“Oh, I see,” said Lady Aurora, sympathetically. And with a smile she
went on: “Then you’re all the more of an exception—in the upper class!”
Public-domain text, read in full here on John Shaqi.
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