London (England) -- Social life and customs -- 19th century -- Fiction
Lady Aurora looked a little surprised; then she said, “Oh, I see; you
don’t like—you don’t like—” She hesitated: he saw she was going to say
that he didn’t like the idea of going in, to that extent, for a trade;
but he stopped her in time from attributing to him a sentiment so
foolish, and declared that what he meant was simply that the only
faculty he possessed was the faculty of doing his little piece of work,
whatever it was, of liking to do it skillfully and prettily, and of
liking still better to get his money for it when it was done. His
conception of ‘business’, or of rising in the world, didn’t go beyond
that. “Oh yes, I can fancy!” her ladyship exclaimed; but she looked at
him a moment with eyes which showed that he puzzled her, that she
didn’t quite understand his tone. Before he went away she inquired of
him, abruptly (nothing had led up to it), what he thought of Captain
Sholto, whom she had seen that other evening in Audley Court. Didn’t
Hyacinth think he was very odd? Hyacinth confessed to this impression;
whereupon Lady Aurora went on anxiously, eagerly: “Don’t you consider
that—that—he is decidedly vulgar?”
“How can I know?”
“You can know perfectly—as well as any one!” Then she added, “I think
it’s a pity they should—a—form relations with any one of that kind.”
‘They’, of course, meant Paul Muniment and his sister. “With a person
that may be vulgar?” Hyacinth asked, regarding this solicitude as
exquisite. “But think of the people they know—think of those they are
surrounded with—think of all Audley Court!”
“The poor, the unhappy, the labouring classes? Oh, I don’t call _them_
vulgar!” cried her ladyship, with radiant eyes. The young man, lying
awake a good deal that night, laughed to himself, on his pillow, not
unkindly, at her fear that he and his friends would be contaminated by
the familiar of a princess. He even wondered whether she would not find
the Princess herself rather vulgar.
XX
Public-domain text, read in full here on John Shaqi.
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