London (England) -- Social life and customs -- 19th century -- Fiction
It must not be supposed that Hyacinth’s relations with Millicent
Henning had remained unaffected by the remarkable incident she had
witnessed at the theatre. It had made a great impression on the young
lady from Pimlico; he never saw her, for several weeks afterwards, that
she had not an immense deal to say about it; and though it suited her
to take the line of being shocked at the crudity of such proceedings,
and of denouncing the Princess for a bold-faced foreigner, of a kind to
which any one who knew anything of what could go on in London would
give a wide berth, it was easy to see that she was pleased at being
brought even into roundabout contact with a person so splendid and at
finding her own discriminating approval of Hyacinth confirmed in such
high quarters. She professed to derive her warrant for her low opinion
of the lady in the box from information given her by Captain Sholto as
he sat beside her—information of which at different moments she gave a
different version; her anecdotes having nothing in common, at least,
save that they were alike unflattering to the Princess. Hyacinth had
many doubts of the Captain’s pouring such confidences into Miss
Henning’s ear; under the circumstances it would be such a very
unnatural thing for him to do. He _was_ unnatural—that was true—and he
might have told Millicent, who was capable of having plied him with
questions, that his distinguished friend was separated from her
husband; but, for the rest, it was more probable that the girl had
given the rein to a certain inventive faculty which she had already
showed him she possessed, when it was a question of exercising her
primitive, half-childish, half-plebeian impulse of destruction, the
instinct of pulling down what was above her, the reckless energy that
would, precisely, make her so effective in revolutionary scenes.
Hyacinth (it has been mentioned) did not consider that Millicent was
false, and it struck him as a proof of positive candour that she should
make up absurd, abusive stories about a person concerning whom she knew
nothing at all, save that she disliked her, and could not hope for
esteem, or, indeed, for recognition of any kind, in return. When people
were really false you didn’t know where you stood with them, and on
such a point as this Miss Henning could never be accused of leaving you
in obscurity. She said little else about the Captain, and did not
pretend to repeat the remainder of his conversation; taking it with an
air of grand indifference when Hyacinth amused himself with repaying
her strictures on his new acquaintance by drawing a sufficiently
derisive portrait of hers.
Public-domain text, read in full here on John Shaqi.
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